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...which comprises more than half of the total show, a superabundance of foreign names makes one look up now and then for the reassuring sign stating that these are Americans. Best Known in this company is Rockwell Kent whose four drawings are in his usual striking style. One, a lithograph entitled "Pinnacle" combines softness with great power, and is the best of the four, although "The End", a woodcut, has a great deal of force. Louis Lozowick contributes more drawings than any one other artist, and his work is very capable. His lithographs are of such scenes as building construction...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 5/7/1931 | See Source »

...Summer Term of '93 a bolt from the blue flashed down on Oxford. . . . Dons and undergraduates stood around, rather pale, discussing nothing but it. Whence came it, this meteorite? From Paris. ... Its aim? To do a series of 24 portraits in lithograph. . . . He was 21 years old. He wore spectacles that flashed more than any pair ever seen. He was a wit. He was brimful of ideas. He knew Whistler. He knew Edmond de Goncourt. He knew everyone in Paris. He knew them all by heart. He was Paris in Oxford...

Author: /time Magazine | Title: Parson Will | 4/13/1931 | See Source »

...chief lament is the talking picture. Like many of the modern critics of the legitimate stage, Mr. Nathan chooses to turn up his nose and snort rather than pay any attention to the potentialities peculiar to the screen. He writes, "What the phonograph is to the opera, the lithograph to painting, the plaster of paris cast to sculpture and a doll's house to architecture, the talkie will ever continue to be to the drama." The chief, and only explicable objection he has to the passion flowers of Hollywood is that he prophesied a dozen years ago that they would...

Author: By H. B., | Title: BOOKENDS | 3/20/1931 | See Source »

Frankie & Johnnie. The best that can be said of Frankie & Johnnie is that it is a well-staged lithograph. Scenes along the St. Louis river front are ably documented, the light ladies, gamblers, saloon inhabitants are clothed without anachronism. The plot adheres rather faithfully to the plot of the song. Most variations of the ballad agree that Frankie (a harlot) and Johnnie (a pander) were lovers- "And Oh, my God how they did love." Pledging eternal faithfulness, Frankie proceeds to support Johnnie, attiring him in "hundred-dollar" suits. Then it appears that Johnnie is philandering with a lady called Nellie...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Oct. 6, 1930 | 10/6/1930 | See Source »

...Borah; Clémenceau, Chesterton and Clemens; Stresemann and Stimson; Poincare and Pershing; Masaryk, Mussolini, MacDonald and Mellon ?they were all of them to be seen last week in the library of Manhattan's fastidious Pynson Printers, most of them in chalk, Mark Twain and Abraham Lincoln in lithograph. Had it not been withdrawn for reproduction on the cover of this issue of TIME, the crayon likeness of Charles Evans Hughes would also have appeared...

Author: /time Magazine | Title: Art: Chalk & Talk | 2/17/1930 | See Source »

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