Search Details

Word: litvak (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

What attacks Generals fatally and finally is neither its cliché-ridden script nor its miscast stars, but the gemütlich approach of Director Anatole Litvak. The slick editing and the bright, bold colors seem less to polish the picture than to varnish it, and they cannot cover the film's faults. The waifs of German-occupied Warsaw are too plump and well padded, the armies seem too clean and well mannered. And the officers are too self-consciously symbolic of Germany's decadence and decency, grossness and grace. Somewhere beneath it all is a plausible plot...

Author: /time Magazine | Title: Cinema: War Gone Wrong | 2/10/1967 | See Source »

...World of Sophia Loren (NBC, 10-11 p.m.). Tony Perkins, Anatole Litvak, and Vittorio De Sica are among the on-camera commentators in this nicely assembled film biography. Repeat...

Author: /time Magazine | Title: Television: Jul. 26, 1963 | 7/26/1963 | See Source »

Director Anatole Litvak tangles the skein of fate with finesse; from Sophia he has coaxed some fine flashes of doe-eyed terror, and he has allowed Tony to prove what a convincing actor he can be when he is not embroiled with Kafka or Racine...

Author: /time Magazine | Title: Cinema: A Smile Goes a Long Way | 4/12/1963 | See Source »

...basking in the afterglow and acclaim that attended the completion of the Welles-directed, Welles-scripted version of Kafka's The Trial, the story of a man victimized by the impersonal hostility of a bureaucratic world he never made. Viewers of the early rushes, including Directors Anatole Litvak and Jules Dassin, say they witnessed the birth of a classic. Twenty-one years after his Citizen Kane won him the title of boy genius and doomed him to a lifetime of trying to hold on to it, Orson Welles seemed to be making a comeback...

Author: /time Magazine | Title: Movies Abroad: Prodigal Revived | 6/29/1962 | See Source »

...Nothing is too small to demand her attention if it has something to do with her career," says Anatole Litvak, who has just finished directing her in Five Miles to Midnight in Paris. For example, she keeps a magnifying glass beside her bed, where she goes over the tiny contact prints of her publicity pictures. "In all the weeks in Paris, she only went out twice," says Litvak. "One can't even get her to a nightclub unless she convinces herself it is a question of public attention. Actually, once she's there she has a great time...

Author: /time Magazine | Title: Movies Abroad: Much Woman | 4/6/1962 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next