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Directed by Anatole Litvak with a sort of unflagging belief in third-rate melodrama, Mayerling is helped toward verisimilitude by the accuracy of its baroque Viennese trimmings, and by the excellent representational music of Arthur Honegger. More serious cinemagoers, however, may wish that the story had come a little closer to grips with human fact, if only by cribbing the moral that Playwright Maxwell Anderson set to the tale in his Masque of Kings last winter: that to rule brutalizes. The Lower Depths (Albatros). Maxim Gorki, literary darling of the Russian masses both before and after the revolution, wrote...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 20, 1937 | 9/20/1937 | See Source »

Married. Cinemactress Miriam Hopkins, 34; to Director Anatole Litvak, 35; after an airplane elopement from Hollywood to Yuma, Ariz...

Author: /time Magazine | Title: Milestones, Sep. 13, 1937 | 9/13/1937 | See Source »

...material for 1937 cinema, this story, adapted from Joseph Kessel's novel L'Equipage, appears to have only one serious fault. Emphasized rather than concealed by the careful direction of Anatole Litvak (a Russian making his Hollywood debut) and the industrious performance of Actor Muni, the fault is that it has been told so many times it has ceased being a story at all. Most banal line: Maury's to Herbillion: "It can't go on like this...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 26, 1937 | 4/26/1937 | See Source »

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