Word: live
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Dates: during 1930-1939
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Part of the Rose genius is that he enters wholeheartedly into the atmosphere of the place where he is working. In Texas he rode around in chaps and a ten-gallon hat, wore a gold deputy sheriff's badge, kept a two-headed snake and three live wolves in his office. When he arrived at the Cleveland fairgrounds and saw the waters of Lake Erie rippling at his feet, he decided to stage a revue in and on the water, a sort of marine circus. He immediately had a dolphin tattooed on his chest and went around saying...
...next day. Roberto Farinacci, editor of Cremona's Regime Fascista aimed at one particular Jew, Baron Maurice de Rothschild, French member of the famed banking family. Boomed Farinacci: "Rothschild offered plenty of help to that brigand Haile Selassie. ... He finances all anti-Fascist movements and now prefers to live and amuse himself in Florence...
...author of Actor Meredith's last two successes, Winterset and High Tor, quickly soothed managerial feelings. "The Theatre," said Maxwell Anderson, shaggy, amiable and prolific poetic dramatist, "has lived by its wits during most of its history. It will continue to live by its wits and to be the most important American art. . . . Governments tax it, scalpers scalp it, unions hold it up, dramatists quarrel with producers, moving pictures devour its children as fast as they appear-and still our theatre is the centre of civilization in New York and in the United States and quite amazingly, the foremost...
Captains Courageous (Freddie Bartholomew, Spencer Tracy); Wake Up and Live (Walter Winchell, Ben Bernie, Jack Haley, Alice Faye); The Prince and, the Pauper (Billy & Bobby Mauch, Errol Flynn); A Star Is Born (Janet Gaynor, Fredric March); Make Way For Tomorrow (Victor Moore, Beulah Bondi); Kid Galahad (Edward G. Robinson, Bette Davis, Wayne Morris); Under the Red Robe (Raymond Massey, Annabella, Conrad Veidt...
...citadel of priceless antiquities and such Old Masters as only millionaires can buy, Manhattan's Metropolitan Museum of Art was long regarded as a costly tomb in which no contemporary art could live. A fund of $150,000 was established by the late George Arnold Hearn, who subsequently added another $100,000 in memory of his son Arthur Hoppock, to change all this. In the past ten years 85 paintings by living U. S. artists have been bought by the Metropolitan. Last week a significant addition to this catalog was announced: an oil by William Gropper, oldtime cartoonist...