Word: live
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Dates: during 1930-1939
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Conditions in the Student Council are particularly open to censure. The constitution of the body provides that two men from outside the Houses be elected, and that one of these must live outside of Cambridge. At present these regulations are flagrantly flouted. Last year the one member who supposedly filled the qualifications of a non-Cambridge resident was Carl A. Pescosolido '34, whose residence was listed as Newtonville, but who in reality was living in Cambridge. This year the member is Robert S. Playfair '36, who was elected when living at home but who now lives in Cambridge. Neither...
...real units of the College, it would seem desirable to do away with the election of the Council by classes and to institute a system under which each House would elect Seniors, Juniors and Sophomores in proportion to the number of students in the House. Men who live outside of the College could be affiliated with Phillips Brooks House for the purpose of electing representatives. A Council chosen on this basis would be an organic expression of the House Plan. It might well fulfill the functions performed by an Intra-fraternity Board in many colleges. Election by Houses would bring...
...Live Again (Samuel Goldwyn). When he was considering Tolstoy's Resurrection for blonde and beauteous Anna Sten's second U. S. appearance, Producer Samuel Goldwyn was reminded that it had been made before, with Lupe Velez and Dolores Del Rio. Said he: "It has not been made until I make it." His explanation: both earlier productions failed to stress sufficiently Resurrection's social message...
Cinemaddicts, familiar with the story of We Live Again, should be pleasantly amazed at the skill with which one of Hollywood's most extravagant producers interprets Tolstoyan Socialism. Instead of being, like the two previous versions, the old tale of young love reunited, We Live Again is comparatively faithful to its Russian original. In the earlier sequences where young Prince Dmitri Nekhlyudov (Fredric March) goes to church with Peasant Katusha Maslova (Anna Sten), before seducing her in a greenhouse. Director Rouben Mamoulian allows his fondness for his scene to delay his story. Later, when Dmitri, a bearded patrician...
That Producer Goldwyn 's version of Resurrection seems sincere is due mainly to his leading lady. When, after a year spent in publicized seclusion, Anna Sten appeared in Nona last winter, critics deplored the picture, reserved judgment on its star. We Live Again exhibits her where she belongs, in Russia, and should cause her to be classed with Greta Garbo and Marlene Dietrich as an importation who deserves all the attention she can get. She speaks better English than she did in Nona, looks a little thinner, acts as well. Good shot: Katusha drinking vodka in jail...