Word: live
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Dates: during 1950-1959
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...long-held U.S. attitude was that a summit conference was useless if it was nothing but a forum for propaganda; before any summit could live up to expectations, foreign ministers should explore the possibilities of genuinely solving cold-war issues. Harold Macmillan, fresh from Moscow's storm and sunshine, argued that Nikita Khrushchev was really the only Communist worth talking to; Macmillan was willing to go through the motions of a foreign ministers' conference, but he wanted to get right down to setting a summit date. At Camp David, President Eisenhower and Prime Minister Macmillan agreed...
...turned the knife on old colleagues. "If there is honesty," he declared, "you must bring here without exception all those persons who collaborated with my government." Such a roster, as everyone knew, would include several Senators, and the five members of an army junta that replaced Rojas and now live in honored retirement. His wealth? Ah, said Rojas, there were a few "presents," received in the spirit given, "whether it was a herd of cows from ranchers of the Ilanos, or a little duck from an unhappy old woman...
Harvard's total payroll of $32 million last year exceeded "the sum of the payrolls of the six leading industries of Cambridge," Pusey continued. Although much of this sum is paid to employees who live--and spend--outside of the city, and "impressively large" amount of it, over $101/2 million, is paid to Cambridge residents...
...there-until finally the good sisters had to stop because Venice is on the sea and splash! they ran the risk of falling in." He concluded: "Now let us pray for you, for your families, and also for the Pope-because, to tell the truth, I want to live a long time. I like to live...
...Philosophers. No technique-detective or brushstroke spy, Author Eliot is instead one of the sun philosophers who value the lights that men and artists live by. Light is the sensuous hero of Sight and Insight: "Velásquez' light is like transparent golden bees swarming the honeyed shadow, while Rogier van der Weyden's is like water over marble . . . even when stealing into Vermeer's darkest interior by a narrow window, light is welcomed as a lover. The far corners whisper hello to light. Instead of humping their backs like angry cats the shadows under the furniture...