Word: live
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Dates: during 1990-1999
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...Harvard myths: there is no on-campus music scene and no one goes to the Quad. The publicity e-mails for Quadapalooza, last Friday's multiple-band event organized by Quad Sound Studios (QSS), seemed to imply as much ("THEY say there's no live music at Harvard...THEY have never been to the Quad"). But at the end of the show, the first myth was all but shattered. As for the second...hopefully that'll be worked...
...live in countries where the shadow of conflict and the specter of violence hang heavy over everyday life. Yet you have all made the courageous decision to work for the great cause of peace. You have gone beyond talk and belief, to action," Kennedy said...
...sinister Depalowski goes out of his way to persecute (and believe me, he really goes out of his way) a black boy out of all the black boys that are in his jurisdiction. Nor are we ever told the process by which the three Canadians (John Hannah, Deborah Unger, Live Schreiber) suddenly become best friends with Carter and decide to move to New Jersey (!) to fight for his release. And because so much of the movie centers round Carter and Carter alone, the other characters are left curiously two-dimensional, with no real reason for the audience to relate...
...character's internal conflicts in any time or place, be it Jane Austen's England in his 1995 release Sense and Sensibility, or the alienated '70s suburbia of 1997's The Ice Storm. Yet his latest project, Ride With the Devil, based on Daniel Woodrell's novel Woe to Live On, reflects the damage too much praise can have on a director. All that distinguishes Ride with the Devil as anything other than a glorified action flick is a splattering of historical nuances and the occasional flirtation with character complexity...
...short, Stereolab live was very different than Stereolab in the stereo lab. The band's sound is characteristically everywhere: their records run th aural gamut from fuzzy lounge-lizard pop to gritty reverb rock (and most often are a synth-washed mix of both). Through it all, though, they manage to give you the cold shoulder. Morgane Lhote's Moog must have a special dial for "disaffected": a breath of chilling ennui blows through all their music, a vague sense of world-weary aloofness that has its heart somewhere in songwriter Sadier's low-mixed lyrics...