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Seminal noise rock duo Lightning Bolt—bassist Brian Gibson and drummer Brian Chippendale—play their bone-crunching live shows on the floor of whatever venue is crazy enough to allow it, using only volume to push back the churning crowd of future tinnitus patients that surrounds them. Fueled by Gibson’s two refrigerator-sized speaker cabs pumping out over three thousand watts of distorted bass alongside Chippendale’s drumstick-shattering rhythms, Lightning Bolt’s elusive concerts—frequently announced only days or hours in advance?...
Lightning Bolt recorded the bulk of their eponymous debut in a studio, but before the album’s release decided to scrap the meticulously-recorded studio cuts in favor of live 4-track recordings. The result was what one would expect when condensing a room full of pummeling drums and gut-wrenching bass amplifiers down to anemic laptop speakers, tinny iPod headphones, or muddy home stereos: while it reminded a lucky few of that crazy show they saw in a dirty Providence loft, to the rest of us it sounded underpowered and underwhelming. Subsequent releases improved the recording quality...
...Earthly Delights,” the duo’s fifth LP, reflects the completion of Lightning Bolt’s transition from grasping at their elusive live sound to crafting a full-fledged studio album. The differences from 2005’s “Hypermagic Mountain” are small but significant, taking the band beyond mere reproduction of a live show. The wider sonic range afforded by proper mic placement and high-end recording equipment gives bassist Brian Gibson’s densely layered effects a bit of breathing room, revealing a textural intricacy that is lost...
...first in a series of prominent children’s book adaptations that will hit theatres in the coming months, including Wes Anderson’s take on Roald Dahl’s “Fantastic Mr. Fox” and Tim Burton’s live-action remake of Lewis Carroll’s “Alice’s Adventures in Wonderland.” Thankfully, Jonze steers clear of the common, sanitized book-to-film route that so many directors have followed in the past. “Where the Wild Things Are?...
Friday, October 16, 2009, a date which will live in infamy—or absurdity, depending on your point of view...