Word: lived
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Dates: during 2010-2019
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Unfortunately, the majority of the film does not live up to these intentions. During the first hour, viewers are subjected to stilted dialogue and heavy-handed jokes. These awkward one-liners often fall to Leo, in her role as the disturbingly cheerful and deceptively prim Marie. When McKay first arrives at Sonny’s house, he notices a “home sweet home” sign in the hallway, to which someone has attached a large axe. When he expresses his surprise, violins screech forebodingly, and Marie answers, “You never know when you may need...
...first project that Hagebölling presented was “Percussive Planet,” a collaboration with musician Martin Grubingers in Bonn that combined live digital animation with the pieces of 35 classical and contemporary composers. Grubinger’s musicians played together on stage against a backdrop of flashing animation created by VJ software, the same kind used in today’s nightclubs and bars. Enormous multi-colored shapes and lines streamed across the screen, all created in real-time by Hagebölling’s students as a visual response to Grubingers?...
...simultaneously makes up the worst and most entertaining parts of the film. With gems such as, “You’re not just part man and part god, you’re the best of both,” and “We live, we fight, we die for each other,” one cannot keep from being entertained...
It’s difficult to convey how funny this is. A reliably fruitful gag consists of Ricky and Steve asking Karl to explain proverbs. For instance, Karl’s interpretation of the saying “Those who live in glass houses shouldn’t throw stones” is this: “If you live in a glass house, don’t be chucking stuff about.” It’s not that he just says things that make no sense—there’s an atom of plausibility...
Although he exhibited some of the elements of the influential Charlie Parker, the composition was all Moody’s own. In the early 1950s, jazz singer Eddie Jefferson wrote lyrics to the solo, which Moody himself oftentimes sings in live performances...