Word: livings
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Dates: during 1970-1979
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WHEN YOU HEAD OVER to Holyoke St, bag the critical, narrow-minded appraisal ("Oh bummer, it's not anything like Saturday Night Live,") and save your class consciousness for another day ("Oooooooh, I don't think I fit in with all these people...
...probably most common, but volition can be endowed to objects, to photographs, to silhouettes and collages--the weekend after this, Center Screen features a show of cut-out animation exclusively. All of these devices are represented in the New Personal Animation. For example, in Part II, pixillation, or accelerated live-action footage, constitutes Los Ojos, by Gary Beydler, and Stephen Weatherkill's The Walker employs the mysteries of the optical printer, too multifarious for this writer to relate, to fill the walker's silhouettes with different background and patterns than his rightful landscape...
...Hell Are You?, gives the audience a chance to take in her fast, ironical style. Her addition to last weekend's program, Tales from the Vienna Woods, based on the letters of Sigmund Freud, was equally eerie and compelling and funny. Her films, like Vera Neubauer's Animation for Live Action, are disturbing collages of live action film, rotoscoping, photography, freehand drawing, and photography of photography, with radical feminism and black humor. Soul's How the Hell Are You? is also based on letters and postcards from a homosexual male on the cosmopolitan circuit to his friend Jane who stays...
...spurned at first, but he wins her over and she offers him food and drink. The other servants in the house discover him and throw him out bodily, with the offending maid close behind. The two pick themselves up, held themselves to the supplies of the pantry, and live happily ever after. By associating the characters with instruments, tonal qualities and musical phrases, Kyr expands on the actions and characters of the mimes and sustains the comedy in places where it might otherwise have lagged...
...Jarreau goes with just about anything. One doesn't have to be a committed jazz fan to get into Jarreau. He's been making albums since 1975 when he started with We Got By, followed by Glow in 1976, a live album Look to the Rainbow in 1977 and most recently All Fly Home, the fourth in his series of introspective albums. Jarreau has a nice voice and the way in which he uses it is the highlight of each new recording...