Word: livingstones
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...Calvin Livingston's "Afro of Thorn" was taken from the restaurant's entrance around March 12, said restaurant art curator Carole J. Crittenden. Later the same day, Pam Roberts's "Save the Last Dance for Me" was found missing from an upstairs room, she said...
CABOT. Rooming. options facing the Cabot-bound are similarly stellar according to the higher ups. "Sophomores get either a single off a hallway," claims Assistant to the Masters Susan Livingston, "or a suite for an (n+1) number of people which are often partitioned." Sophomores willing to fund "renovations" rarely have to share a bedroom. Besides allowing partitioning, the House happily concedes to opening fire-doors between adjacent rooms, thereby creating complex suites with "essentially an extra bedroom." According to Livingston, however, "the hottest property in Cabot is the Library Suite in Briggs Hall," which is traditionally snagged by seniors...
...that speech, which came moments after incoming Speaker Robert Livingston (R-La.) announced his resignation, Gephardt called for politicians to "stop destroying imperfect people at the altar of an unobtainable morality...
...offers the mildest demurral, and his bosses say, "Sounds like you've got a case of the Mondays." So ordinary worker ant Peter (Ron Livingston, with a suburban charm and anxiety that verge on the Hanksian) wonders how to end the day. Quit? Suicide? Or a little corporate revenge? He picks (c), which is where Office Space goes off the rails. For the first half of the film, though, Judge (King of the Hill) runs some interesting twists on workaday boredom. At its shambling best, Office Space is like a bracing break at the coffee machine. Some horrible Monday...
Office Space explores the existential despair of human beings confined to anonymous cubicles in myriad, analogous corporations across the country. The protagonist, Peter Gibbons, played by everyman Ron Livingston, is fed-up with the endless paper shuffling at corporate nightmare Initech, his unctuously sinister boss Bill Lumberg (Gary Cole) and, in short, his life in general. Gibbons' arguments against the system are blandly familiar and add nothing new to the common polemics against human automatism. But Gibbons' main function is to give the similarly disillusioned audience an easily identifiable character. And the audience at this particular viewing (mostly 20-somethings...