Word: liza
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...Liza Minnelli wasn't the only reason Rosie O'Donnell's NBC variety special flopped a couple of weeks back, but she sure didn't help. Waddling out onstage as the show's big-name guest star, accompanied by fervent cheerleading from the "surprised" host, she looked plump, shaky and a little out of touch. As my colleague James Poniewozik pointed out in his review, the show's disappointing ratings were further evidence that Broadway is not mainstream American entertainment anymore...
...Maybe not, but Liza is still somebody's idea of entertainment. Witness the frenzied scene a few nights ago at Broadway's Palace Theatre, where Liza is doing a one-woman show through Jan. 4. For one thing, she looks a lot better on a theater stage than she does under the close scrutiny of TV cameras - sleeker, steadier, slimmer. The spangly pantsuits flatter her. She sounded better too, at least when the hand mike was in its proper place and she wasn't being drowned out by the 12-piece orchestra, larger than that for many Broadway musicals...
...Liza could have sounded like Rosie with a head cold and the crowd would have gone wild. I don't think I've ever seen this kind of adulation pouring out of a theater audience. There were standing ovations after virtually every number. "We love you, Liza!" "You look great, Liza!" the fans yelled out whenever the room was in danger of quieting down. They cheered her costume changes, laughed knowingly at the coy references to her failed marriages, cooed nostalgically as she reminisced about her mom and her "godmother," Kay Thompson, whose 1940s nightclub show she pays tribute...
...Even for the Liza-resistant, the show delivers. Her voice is stronger than the last time I saw her onstage - in a 1999 tribute to her father, film director Vincente Minnelli - and the song selection is a canny mix of crowd-pleasing old faves ("Maybe This Time") and slightly more adventurous fare. (Her over-the-top emotionality doesn't overwhelm the delicate "He's Funny That Way," but she pretty much obliterates the intricately ironic lyrics in Comden and Green's "If.") She shines in a medley paying tribute to the Palace Theatre's vaudeville past and proves she hasn...
...fueled rough play on both ends of the ice. The Crimson opened up the frame with three shots in the first 40 seconds. Kessler entered the game in the third and was dominant between the pipes, posting seven saves. The game became increasingly physical as both Vaillancourt and sophomore Liza Ryabkina served as Crimson enforcers, both accumulating aggressive checks in the fifth minute. Brine also tallied a collision with a spectacular check in the 10th minute. “I think there were a lot of aggressive plays throughout the game,” Kessler said...