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...years after medical school and his Sutherland novel, Liza of Lambeth, Maugham emerged as a successful playwright, an Edwardian Neil Simon who had two and three pro ductions running simultaneously on the London stage. World War I found him driving an ambulance through the mud of France and correcting proof for Of Human Bondage. It was this book that began his ambiguous reputation as the most serious popular writer in English. His exotic settings and ruthless eye prompted reviewers to call him the Kipling of the Pacific and the English Maupassant. But by World War II, a younger generation...

Author: /time Magazine | Title: Books: The Old Man by the Sea | 3/10/1980 | See Source »

MARRIED. High-voltage Vocalist and Screen Star Liza Minnelli, 33, and Sculptor Mark Gero, 27, who managed her stage show, The Act; she for the third time, he for the first; in New York City...

Author: /time Magazine | Title: Milestones, Dec. 17, 1979 | 12/17/1979 | See Source »

...only blasts out her many numbers with blistering fury, but she also attempts to strike every emotional chord known to junky movie melodrama. Even when she comes up flat, it is hard to look away. Midler does not make the mistake of begging for attention, like her cabaret colleague Liza Minnelli; she retains a sense of humor about herself. By mixing outrageous show-biz posturing with low-key self-effacement, she is a mastermind at getting the audience on her side...

Author: /time Magazine | Title: Cinema: Flashy Trash | 11/12/1979 | See Source »

DIVORCED. Liza Minnelli, 33, sparkle-eyed film actress and singer (Cabaret; New York, New York); and Jack Haley Jr., 45, movie producer (That's Entertainment.') and television executive; after 4 years of marriage; in Los Angeles...

Author: /time Magazine | Title: Milestones, Apr. 23, 1979 | 4/23/1979 | See Source »

Davis gives the role everything he has, which is both too much and not enough. Like Liza Minnelli, who was in rapt attendance on opening night, Davis is a claque person: his fans bestow upon him an adoring worship that outstrips the sum of his actual gifts. He is a passable dancer (though he does not dance in this show), his voice is only as strong as the mic it is hooked to, and an orphan out of Annie could match his acting. Like Minnelli, Davis projects the image of an overage child parched for affection, aggressively demanding approval...

Author: /time Magazine | Title: Theater: Life's Clown | 8/14/1978 | See Source »

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