Word: lloyds
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Dates: during 1970-1979
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...cover all facets of Superstar in words and pictures required a large cast of journalists. Bender and Reporter-Researcher Patsy Beckert interviewed Rice and Lloyd Webber, attended preview and premier performances, reviewed the merits of the show with the notables at the opening-night cast party. Show Business Correspondent Mary Cronin, who saw the production four times, obtained much of the background material for the story in two weeks of intensive interviewing. Jay Cocks, a movie critic who occasionally patrols Broadway as well, wrote a separate profile on Superstar's director, Tom (Hair) O'Horgan. Foote prepared...
...ever told." It does not pretend to span the enormous scope of the Gospels, simply the last seven days in Jesus' life but with the divinity of Christ and the Resurrection left out. JCS was created by two talented, engaging young Englishmen, Lyricist Tim Rice, 26, and Composer Andrew Lloyd Webber...
...wrong for Jesus? Why didn't he choose to make his appearance on earth today, when he could have the benefit of mass communications to teach his followers? Armed with a paperback edition of Fulton J. Sheen's Life of Christ, which compares and calibrates the Gospel stories, Lloyd Webber and Rice burrowed and borrowed from Matthew, Mark, Luke and John to create a libretto. The first three Gospels, says Rice, seem more dependable, since John "was much hotter on visions and supernatural things." They concentrated on Christ's reputation as a humanitarian thinker, the charismatic leader of a dissident...
...Superstar reacts to Jesus quite like Judas. Indeed, to the extent that the show has any personal continuity, it is carried by the relationship between them. Lloyd Webber and Rice admit to a feeling that history and the Scriptures have been unkind to Judas. If Christ was really divine, after all, then Judas was merely the instrument of his will. And if Christ was merely a great teacher and prophet who in mid-career fell prey to delusions of grandeur and a persecution complex, then Judas ?those 30 pieces of silver aside?was merely doing what he thought...
Superstar's vulgarity is less in the realm of religion than of theatrical taste. Serious Lloyd Webber and Rice fans, in fact, may well be advised to open a new chapter in the age of McLuhan by turning down a chance at the show "because I loved the record." On LP, Jesus Christ Superstar is abstract, intimate, capable of subtly engaging the mind and the imagination. Director O'Horgan's frenetic Broadway incarnation is rarely any of those things. It is, instead, a frequently breathless and occasionally stupendous son et lumière show, crowded with mechanical contrivances, and a headlong...