Word: lloyds
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Dates: during 1980-1989
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...move along" has been a professional tenet with Lloyd Webber, who leaves as little to chance as possible. His whole life and career can be seen in terms of his desire to master a situation, then go beyond it. On the most basic level, there is his insistence on dominating everything related to his music. With a nose for business as keen as his faculty for churning out hits, Lloyd Webber keeps the reins of power tightly in his hand. No matter where he is, he is often on the phone to the staff at his London-based production company...
...Really Useful Group (the name derives from the Really Useful Engine, a recurring phrase in the Wilbert Awdry series of children's books that enthralled Lloyd Webber as a boy) comprises a producing organization, a music- publishing company, a record division, a video company, Aurum Press and the Palace Theater London Ltd., the last a separate entity that currently houses the London production of Les Miserables. Lloyd Webber is a nonexecutive member of the board (so is Rice) who owns about 40% of the stock but is not actively involved in management. When the company went public two years...
...Mackintosh, who co-produced Cats, Song & Dance and Phantom. "It runs parallel with his creative talent. He understands showmanship: knowing how to launch a song, finding the right artist to promote it, doing the right programs and interviews. All of these things he does with consummate skill." Probably only Lloyd Webber could have written his Requiem as a memorial to his father and then turned the Pie Jesu into a hit song (sung by Brightman and a boy soprano) that climbed to No. 1 on the British charts. To some, that was marketing savvy; to others, tasteless calculation...
Beneath his deceptively placid public persona, Lloyd Webber seethes with artistic temperament. In private, some of his acquaintances grumble about his explosive temper, but few dare to confront him, presumably because of his power and influence. While his first wife was still married to him, she was quoted as saying, "He never relaxes. He likes to have something to fuss about. He is exhausting to be with...
...both Cats and Phantom, says, "Andrew always has one night when he has a fit. He can become like a shark with anger. He is passionate. But that is so much better than people who settle, isn't it?" One such moment occurred during rehearsals for Starlight, when Lloyd Webber argued vehemently with Nunn over two bars of music the director had inserted in order to help the skaters negotiate a dangerous maneuver. Insisted Nunn: "You either have those bars, Andrew, or you'll have a few roller-skating deaths." "O.K.," Lloyd Webber shot back, "either we have deaths...