Word: lloyds
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Dates: during 1990-1999
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When Andrew Lloyd Webber's musical retelling of the Hollywood film noir classic Sunset Boulevard made its debut in London in July, audience response was respectful but restrained. The staging that opened in Los Angeles last week had playgoers shouting with delight. Part of the difference may be the American propensity for public exuberance; some is surely the special joy Angelenos derive from a sly, knowing look at the gritty world of make-believe that dominates their local commerce. But the major reason is that the creators have at last figured out what the show is meant...
...reconception involves very little change in the text -- some tinkering and one new song -- but a top-to-bottom rethinking of attitude. The intention of composer Lloyd Webber, lyricist-librettists Don Black and Christopher Hampton, choreographer Bob Avian and director Trevor Nunn was always to echo Billy Wilder's astringent film. In London, however, the team confused fidelity to the plot with fidelity of tone...
...downside is that her singing voice, while warm and true, does not extract nearly as much angst or musicality as LuPone does from the anthems With One Look and New Ways to Dream. Lloyd Webber's music, as usual, has the lush extravagance and candy-box prettiness of Puccini, with themes repeated often enough to ensure their hummability. Though no single number has the pop allure of Memory or The Music of the Night, the score is probably his most coherent and effective...
...Abrams; $75). African sculpture and its influence on modern art is well documented. Less so is the effect of ancient American design on 19th and 20th century painters, sculptors and architects. Braun traces the aesthetic roots of artists such as sculptor Henry Moore, painter Paul Klee and architect Frank Lloyd Wright back to the Maya, Aztec and pre-Columbian civilizations of Peru...
...they are expecting Pubert -- who is born mustachioed. It would have been salutary if Mrs. Doubtfire had been given the job, for it would have been a true test of her mettle. But the job goes to one Debbie Jellinsky (Joan Cusack), who sets about seducing Uncle Fester (Christopher Lloyd) in what proves to be one of ^ the movie's less profitable conceits. Like the first of the Addams chronicles, this is an essentially lazy movie, too often settling for easy gags and special effects that don't come to any really funny point...