Word: lloyds
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Dates: during 1990-1999
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...ideological and political diversity as well as racial. The president didn't include a single Perot supporter among his Cabinet appointees. Most were old-line liberals, and only a few (Bruce Babbitt at Interior, Richard R. Riley at Education, Robert B. Reich at Labor, and possibly Les Aspin and Lloyd Bentsen at Defense and Treasury) could be considered New Democrats, who appeal more to Perot supporters...
...pitch is simple: Play along with us, and we can make good things happen for you. Oppose us, and . . . well, watch out. Delivering the first part of the message, Treasury Secretary Lloyd Bentsen on March 12 welcomed into his airy office executives of seven major oil companies: Amoco, Ashland, Chevron, Conoco, Phillips, Shell and Unocal. "We're willing to adjust our fuel tax in ways that will help you," said Bentsen. He noted that his department had already promised to revise the way it proposed to collect a new energy tax to favor U.S. oil refiners over foreign competitors...
...failure of the assault led to criticisms that ATF had fatally underestimated its adversary -- or overestimated its own capabilities in a bid for the media spotlight. Treasury Secretary Lloyd Bentsen, whose department includes the bureau, promised a full inquiry. ATF officials claim that the raid failed largely because Koresh was tipped off. About 45 minutes before the shooting began, an agent who had infiltrated the cult's worship services saw Koresh get a phone call that he believes warned him that attackers were on their...
Connoisseurs of musicals know that the story has limitations. The Phantom can sing only one kind of song to Christine: I-adore-you-and-you-ab hor-me. Poor pastel Raoul can never be much more than a Parisian Freddy Eynsford-Hill. And yet -- in the magnificent Lloyd Webber version, the appealing Yeston-Kopit or even the lame Ken Hill -- the story works. The Phantom and Christine sing ) their volcanic sentiments in a plot as spare and potent as legend...
...these little Phantoms are springing up," says Hill, "purely because of the enormous success of Andrew's show." Yet very few theatergoers attend other Phantoms in the belief they're getting the Lloyd Webber. "People are coming to our show," Kopit says, "not because they can't get tickets to the Webber version, but because of the Phantom story. There is something dreamlike and mythic in the story of an innocent girl and a dark, foreboding, romantic figure who gets her under his power. We can identify both with the girl and with the deformed figure, who is perhaps...