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...Hawaii, the faxes amounted to ransom notes, lists of demands to be met in return for Dole's support when a lame-duck Congress votes this week on the world-trade pact known as GATT. On the receiving end were White House chief of staff Leon Panetta, Treasury Secretary Lloyd Bentsen and U.S. Trade Representative Mickey Kantor. Within 24 hours, all three were seated across from Dole, sipping orange juice and coffee in a private room at the Palladin, a tony Washington restaurant. Why meet there instead of at the White House? Because the Palladin is situated in the Watergate...

Author: /time Magazine | Title: A Wing and a Prayer | 12/5/1994 | See Source »

Clinton Administration officials today confirmed recent rumors that Treasury Secretary Lloyd Bentsen, 73, will resign early next year, leaving the Clinton Administration without one of its most experienced and highly-regarded policy makers. Bentsen, however, took a page from the Mark Twain playbook, telling reporters that reports of his departure were "premature." Leading the pack of talked-about replacements: Robert Rubin, head of Clinton's National Economic Council and the former co-chairman of Goldman, Sachs & Co. TIME Washington correspondent Adam Zagorin says Bentsen has decided to quit "for a lot of reasons. First, he's getting on. The timing...

Author: /time Magazine | Title: BENTSEN . . . GOING, GOING, ALMOST GONE | 12/5/1994 | See Source »

...show's a hit, thanks in large part to Glenn Close. The actress projects authentic glamour as Norma Desmond, the demented former silent-screen star who wins her final close-up on a police blotter. Close starred in the L.A. production and won the Broadway part after Lloyd Webber reneged on a contract with Patti LuPone, the creator of the role in London; it cost him $1 million to buy LuPone out. Faye Dunaway, meanwhile, was engaged as Close's successor in L.A., only to be fired when Lloyd Webber decided her voice was not up to the part...

Author: /time Magazine | Title: THEATER: As If We Never Said Goodbye | 11/28/1994 | See Source »

...radiant Sunset may not be Lloyd Webber's best score, but it is his most seamlessly and artfully constructed. There is a resemblance between this show and The Phantom of the Opera -- reclusive mad protagonist conceives passion for young member of opposite sex -- but that is merely plot. Musically, Sunset's real forebear is Evita. The angular, chromatic recitatives for Norma explicitly recall Eva Peron's egocentric ravings. If the music of the new show lacks Aspects' delicious subtleties and Phantom's gothic flamboyance, it still offers two of Lloyd Webber's best songs in With One Look...

Author: /time Magazine | Title: THEATER: As If We Never Said Goodbye | 11/28/1994 | See Source »

Different as these movies are in tone and development, they both address the same basic issue. In The Santa Clause, Scott gets into trouble because he wants to rescue his son (Eric Lloyd) from the rationalism of his psychiatrist stepfather (Judge Reinhold), who keeps insisting that it is unhealthy for the boy to believe in fantasy figures. In Miracle, Kriss has to perform the same task for Susan Walker (Mara Wilson), whose Mom (an overchilled Elizabeth Perkins) represents unyielding reason...

Author: /time Magazine | Title: CINEMA: Too Much of a Gooey | 11/28/1994 | See Source »

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