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Many analysts - including, recently, Carter Counsel Lloyd Cutler - have argued that the separation of powers has itself become a formula for stalemate between President and Congress. Stalemate often results, but it does not have to. If a President is sufficiently forceful, sufficiently sound in his policies and sure of his purpose, and able to take his argument persuasively to the people, Congress will go along a good deal of the time...

Author: /time Magazine | Title: Nation: Two Ex-Presidents Assess the Job | 11/10/1980 | See Source »

...Edmund Lloyd Middletown...

Author: /time Magazine | Title: Letters, Nov. 3, 1980 | 11/3/1980 | See Source »

Carter's men credit the change to his time in office. "There is no doubt in my mind that experience is the most priceless asset of all. Every day you do better," says White House Counsel Lloyd Cutler, the lawyer who is the only Washingtonian to have cracked the President's inner circle...

Author: /time Magazine | Title: Nation: Coming to Grips with the Job | 10/27/1980 | See Source »

Before Bath, there is an innocence to Gainsborough's portraits that occasionally looks almost spectral: the early figures of Heneage Lloyd and His Sister, round-eyed adolescents in a rococo garden, look like large pale dolls haunting an artificial landscape. Confidence came with his absorption of the grand manner. With access to the big houses, the young painter could see the work of Rubens, Van Dyck and Claude. He rapidly learned to deal with the social mask. Those pink, smooth, patrician egg faces, the men a little knobbly of jaw and hooded of eyelid, with their "cold pleasant stares...

Author: /time Magazine | Title: Art: Laureate of the Ruling Classes | 10/27/1980 | See Source »

...which might account for the lack of emotional clout which mars the acting in this production. (We should at least give the company credit for attempting such a dark work, something the American Repertory Theater has yet to do.) Performances begin to fray at the edges of the company: Lloyd Morris portrays a terribly sappy Malcolm, and Henry Woronicz as Banquo has too much of that Ewell Gibbons pleasantness to be credible in this nuthouse. The weird sisters, too, seem strangely mundane, more like a couple of Cockney flower girls who got lost on the heath than witches...

Author: By Jonathan B. Propp, | Title: Trouble in Scotland | 10/25/1980 | See Source »

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