Word: lloyds
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...citizens of Hiroshima and Nagasaki is rarely articulated. It is in large part because of the horrific nature of their suffering that atomic weapons have not been used again. The staggering civilian death toll prompted democracies to do their utmost to avoid such "collateral damage" in later conflicts. Raymond Lloyd London Thank you for the oral histories of the U.S. servicemen aboard the planes that struck Hiroshima and Nagasaki. I hope they know they are heroes. They helped end WW II and ensured that my grandpa and millions of other grandpas would go home instead of invading Japan...
...tutelage of the late, great Jam Master Jay of Run-DMC and how the beef got started between 50 and Ja Rule (it involves fists and knives). But important details about 50’s rap career are missing from the book. For example, he briefly mentions Tony Yayo, Lloyd Banks, and Young Buck—members of his G-Unit crew (two of whom were arrested earlier this week on gun charges)—but he does not discuss the dynamics within the group...
...being an indefinite "peace that is no peace"--but we should, perhaps, be thankful for small mercies. Since Aug. 6, 1945, we have lived uneasily with the Bomb, and uneasy with it we should always be. But we have lived. --Reported by Aravind Adiga/New Delhi, Michael Brunton and Roland Lloyd Parry/London, Coco Masters/New York, Tim McGirk/Islamabad, Yuki Oda/Tokyo, Simon Robinson/Johannesburg, Mark Thompson/Washington and Yuri Zarakhovich/Moscow...
Then the bottom fell out. Interest rates began tumbling in 1981; the prime is now at an eight-year low of 9%. Underwriting losses ballooned. Foreign reinsurers--Lloyd's of London is the biggest--that indemnify most American casualty companies against extraordinary losses, cut back sharply or ran away from the business entirely, leaving the American firms to shoulder the losses alone. Finally, in 1984 underwriting losses swallowed up investment income entirely and, according to industry statistics, property-casualty insurers suffered an overall pretax loss of $3.8 billion. It was the first red-ink figure in nine years...
Thanks largely to the popularity of Cleese's antic performances, more than 20,000 British employers, including Lloyd's of London and Barclays Bank, use Video Arts films. The company, which has annual revenues of nearly $10 million, has distributors in 24 other countries, and its films have been dubbed into 13 languages, from Portuguese to Cantonese. Video Arts opened its first U.S. office, in Chicago, last January. It has 7,000 American clients. Among them: General Motors, 3M and Sheraton hotels. They rent Cleese's films for as much as $180 a week or buy them for about...