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Basically a remake of Lloyd Banks’ “On Fire.” No memorable lines, but I love it anyway. 50 Cent has developed an incredibly rhythmic, playful flow, and the new album might well top the first one. On a recent mixtape, 50 tells his detractors to go “record a fucking ‘We Are The World’ track or something.” He also tells them to get off the sidewalk, because as everybody knows, “the sidewalk is for pimping...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: Uncharted Waters | 2/11/2005 | See Source »

...Leung on the invaluable Hong Kong Entertainment News in Review website refers to as "two points") and vaguely forbidding. Hollywood couldn't ignore her allure, and had taken notice of her stardom in Europe. Finally, in 1931, at 26, she got top billing in her first American talkie, director Lloyd Corrigan's Daughter of the Dragon - which, in its unabashed melodramatic excess, its rampaging ethnic stereotypes and the opportunity it affords its star to be simultaneously sexy and grave, sympathetic and villainous, qualifies the film as the definitive Anna May Wong movie...

Author: /time Magazine | Title: That Old Feeling: Anna May Win | 2/3/2005 | See Source »

...steak dinners: musicals that at least try to provide a fully integrated, emotionally engaging theater experience, with music in the service of a story populated by real human characters. Steak dinners are pretty much off the Broadway menu right now. The few that come along (anything by Andrew Lloyd Webber in the past 15 years) usually get dismissed by the critics and struggle to run for a few months before being escorted to Broadway heaven...

Author: /time Magazine | Title: Theater: Louisa May on Broadway | 1/30/2005 | See Source »

Milgrim and Harvard Law Professor Lloyd L. Weinreb, when told by a Crimson reporter about the case, said Ciarelli might have a difficult time defending his actions...

Author: By Joseph M. Tartakoff, CRIMSON STAFF WRITER | Title: Apple Sues Student | 1/12/2005 | See Source »

There needed to??be??a??monster. That, in a nutshell, was what J.J. Abrams and his co-creator, Damon Lindelof, decided soon after Lloyd Braun, then ABC's entertainment chairman, gave them this assignment: Write a show about plane-crash castaways on a desert island. The parallel to a certain CBS series was obvious. If Survivor was Gilligan's Island with real people, Lost would be Survivor with fake people. But Abrams, who had raised the spy serial to new heights of cliff-hanging absurdity with Alias, knew that the series would need something extra, something weird, to sustain...

Author: /time Magazine | Title: Welcome to His Unreality | 1/10/2005 | See Source »

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