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...busy Brit MINNIE DRIVER is grounded enough to know her budding music career hasn't prepared her to deliver pop arias. Driver, whose first album, a "super-lo-fi, Cowboy Junkies kind of thing," is due in October, doesn't sing in the film version of the Andrew Lloyd Webber musical. "It would have been ridiculously arrogant to believe I could pull it off without a lifetime of training," says the Good Will Hunting star, who appears with Gerard Butler as the Phantom. Besides, the role of Carlotta provides other outlets for Driver's pipes...

Author: /time Magazine | Title: First Look: Sotto Voce Minnie | 6/14/2004 | See Source »

...Bombay Dreams a big risk for Broadway: a $14 million musical with no stars, a score by a composer famous in most of the world (see box, below) but not in the U.S., and a story set in the Bollywood milieu unknown to Broadway's conservative audience. Producer Andrew Lloyd Webber hired writer Thomas Meehan (The Producers, Hairspray) to cut a lot of in-jokes, pump up the mother love--domesticate the Bollywood beast. Will the transplant work? The show has a $6 million advance; and at a preview last week, the audience, perhaps 25% South Asian, seemed to love...

Author: /time Magazine | Title: Culture: A Cultural Grand Salaam | 5/3/2004 | See Source »

...Rahman's fans was Andrew Lloyd Webber, who had caught Dil Se on TV and was entranced by Chaiyya Chaiyya, an all-time irresistible bhangra sung on the roof of a speeding train. Lloyd Webber had found not just an inventive composer but also the solution to a vexing problem. "Musical theater had become very predictable," Rahman says. "I think Andrew felt that Bollywood musicals could be a new treat for the Western audience." Bombay Dreams (about half new Rahman songs, half greatest hits from his movies) has run for nearly two years in the West End. This week...

Author: /time Magazine | Title: Culture: The Mozart of Madras | 5/3/2004 | See Source »

...Rahman worked with Ratnam on two more movies but by then was already trying to cope with a flood of offers from Bombay, capital of the Hindi film industry. Lloyd Webber heard of him three years ago while dining with Bombay-based director Shekhar Kapur (Elizabeth and Bandit Queen) to discuss a screen version of The Phantom of the Opera. Kapur played a selection of Indian movie music to break the ice. According to Rahman, "Andrew would stop every now and then and ask, 'Who is this composer?' And every time he did that, it was me." Kapur called Rahman...

Author: /time Magazine | Title: Behind the Music | 4/26/2004 | See Source »

...bouquet, of musical inspiration. The terminally goofy plastic-surgery movie Vishwavidhaata boasts a ravishing number, Kal Nahin Tha, with the vocalist Sujatha whispering, then warbling her heart out. Taal birthed two instant classics, Ishq Bina and Nahin Samne, both of which Rahman would adopt as signature ballads for Andrew Lloyd Webber's musical Bombay Dreams...

Author: /time Magazine | Title: Going West | 4/26/2004 | See Source »

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