Word: loach
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Dates: during 2000-2009
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...Joining Tarantino are Jane Campion, with the Keats bio-pic Bright Star, Ken Loach with the soccer drama Looking for Eric, and Lars Von Trier with his horror film Antichrist. That makes for three winners of the Palme d'Or in the 2009 competition. Another returning champ: U.S. film-critic superstar Roger Ebert, of the Chicago Sun Times and many books and TV shows. Roger missed the last two festivals battling throat cancer but will be back this year, his critical voice as strong as ever...
...These impresarios are still programmers at heart, and they are happy to tip the TIFFist to a few of the films they love. Handling cites Rendition, Thomas McCarthy's The Visitor and It's a Free World ... from the veteran writer-director team of Paul Laverty and Ken Loach. Cowan recommends Penn's Into the Wild, the Guy Maddin "docu-fantasia" My Winnipeg and Nothing Is Private from Alan Ball, writer of American Beauty, which, in 1999, had its world premier at Toronto on its way to a Best Picture Oscar...
...help much to imagine which of the competing films the jury president would like best. In 2002, when David Lynch was president, the winning film was Roman Polanski's very traditional The Pianist. Last year, ultra-hip auteur Wong Kar Wai gave the Palme d'Or to Ken Loach's political epic The Wind That Shakes the Barley. Go figure...
...Drawing from a rich tradition of British cinematic realism, which includes directors like Ken Loach and Mike Leigh, the film has sparked controversy in its native land. England has long prided itself as an island of tolerance and freedom for newcomers, and detractors claim that Meadows' focus on an unpopular war - the film is inter-spliced with Falklands' footage - together with anti-immigrant racism lends undue emphasis to the seamier side of the country's recent past. A Sunday Times review by critic Cosmo Landesman dismissed the film's portrayal of 1980s (predominantly) white-working class as "unconvincing," railing against...
...Irish Republican Army (IRA). After a long and plodding exposition, Damien and his brother Teddy (Padraic Delaney) end up fighting each other in battle, the result of an English treaty which causes Irish civil conflict. While the Irish Civil War has not often been explored in film before, Loach presents an uninspired movie. The boring setup of “Barley” is the least of the film’s troubles. The story is long and full of many complicating factors that overtake the film. Subplots meant to humanize the narrative instead leave the viewer unfazed. Unlike popular...