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...mood in 11'09"01 is finger-pointing. The contribution by India's Mira Nair documents the agony of a Muslim boy in Brooklyn accused of conspiring with terrorists when he had actually gone to ground zero in a rescue effort. Several of the pieces?set in Chile (Ken Loach), Israel (Amos Gitai), Bosnia (Danis Tanovic)?make a single hectoring, helpful point: our countries have suffered atrocities for years, decades, centuries; welcome to the club, America. Egypt's Youssef Chahine argues that Islamic militants have the right to kill civilians in the U.S. and Israel because these are democracies, where...

Author: /time Magazine | Title: A Star Is Reborn | 9/23/2002 | See Source »

...film," he says. "I can't believe how stupid the church has been, to give instant condemnation before even seeing the film. They made us front page on every paper in Italy." It is not Mullan's first time in the spotlight. His role in Ken Loach's My Name is Joe won him the 1998 best actor award at Cannes and made him a sought-after commodity. He now has the luxury of choosing his projects and turned down a part in Martin Scorsese's forthcoming Gangs of New York to make The Magdalene Sisters. Hollywood has beckoned...

Author: /time Magazine | Title: Gritty Scot | 9/22/2002 | See Source »

...asked 11 directors to film self-contained segments lasting precisely 11 min. 9 sec. each plus one frame (a restriction that one participant, Indian director Mira Nair, called "French conceptual bulls__t"). Brigand describes the project - which also includes segments by Sean Penn and Ken Loach - as "an open dialogue. We have people from different cultures sharing the different implications they draw from the event." It is to be released in Paris on Sept. 11 and may well prove controversial, since some of the films depict stridently anti-American attitudes. Artists in the third category are those trying to influence...

Author: /time Magazine | Title: Finding the Right Words | 8/25/2002 | See Source »

...they don't die first. The movie's style is as hyper as the coked-up kids, but City of God manages to hold dozens of horrifying stories in some kind of coherence with its unflinching powers of observation. Another cautionary teen tale, Sweet Sixteen, directed by Ken Loach and written by Paul Laverty (winner of Cannes' Scenario prize), is distinguished by its clear-eyed sympathy for a bright kid who thinks he can win his mum's love only by dealing drugs. The Scottish star, non-actor Martin Compston, 17, is marvelous - a screen natural. A few works offered...

Author: /time Magazine | Title: Movies With A Message | 6/2/2002 | See Source »

Real life has provided a great cast (even if the British accents are so thick, it can be like watching a Ken Loach movie). With dear, lumbering Dad (seemingly boggled by his own wealth); strong-willed wife Sharon (Ozzy's manager); independent-minded daughter Kelly (with dyed-pink hair, like a girl-power answer to Ozzy's black-clad metal-god persona); and chip-off-the-old-block Jack (a likable oddball with a thing for bayonets), the Osbournes are like the Soprano family without the guns. TV thrives on facile distinctions between "functional" and "dysfunctional," but this family...

Author: /time Magazine | Title: Television: Ozzy, Not Ozzie | 3/4/2002 | See Source »

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