Word: loach
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...movie to see for the inside view on child- welfare problems. Ladybird, Ladybird is. This English drama about a worst-case child-custody scenario may show those who make social policy how hard it is to legislate love, lust, neglect, despair and other real-family values. Ken Loach's film, written by Rona Munro and based on a true story, horrifies and edifies in equal measure...
...BRITAIN BEEN OVERRUN BY RODENTS lately, or is it just British movies? In Truly, Madly, Deeply, Juliet Stevenson spent a lot of time in bed with large, scruffy rats. The vermin abound too in RIFF-RAFF, a rambling comedy from director Ken Loach. Stevie (Robert Carlyle), an ex-con finding construction work in London, falls in love with a pretty girleen (Emer McCourt) who wants to be a saloon singer. If this sounds like the plot of The Crying Game, don't blame scripter Bill Jesse; Riff-Raff was made a year before Neil Jordan's gender bender. Loach...
HIDDEN AGENDA. This contentious melodrama blames British intelligence for everything from political murders in Northern Ireland to sabotage of the Wilson and Heath governments. But even conspiracy buffs may find it hard to be stirred by Ken Loach's dour direction. Paranoia deserves better than this...
...enough to get him dismissed even from Bedlam. Janice, submitted to electric shock and heavy drugs, retreats ever deeper into her dark private world, until at film's end, standing lost and mute, she faces a class full of bored medical students. It is clear that Director Ken Loach (Kes) and Scenarist David Mercer (Morgan) intend their movie to be a plea for greater flexibility and experimentation in the treatment of mental disorders. Wednesday's Child is a vigorous indictment, but Loach and Mercer might have made their points even more forcefully if they had remained a little...
...Boucher is also part documentary. The movie was shot in a French town near the site of the Lascaux caves, and many scenes include glimpses of locals whose faces are ingratiating. Kes, a British film directed by Ken Loach, is also part documentary, and the delicate way in which it mixes overt fiction with pure reportage is admirable. Kes is a kestrel hawk; the bird is caught and trained by a 15-year-old boy, and the movie is as much about freedom and repression than anything else. The boy is the no-good-nick of his class at school...