Word: loan
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Dates: during 1940-1949
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...Martin approved the bipartisan foreign policy of Vandenberg. But Taft had voted against many of the instruments of that policy: the World Bank and the World Fund, reciprocal trade agreements, the British loan. The continuation of such national policies could crack open and vitiate U.S. foreign policy...
...questions of entrance into the UN and its allied organizations, and the British lean were essentially political, involving little divergence from accepted American over the counter relationships with the world. But the issued within the next two years will be tariffs, reciprocal trade agreements and lesser foreign loans. A continuation of the Roosevelt-Hull line would force Republicans to break with their past. On these little publicized subdivisions of policy, the country has less assurance of Republican views than on their UN stand. It must be remembered that Senator Taft, the new Majority leader, opposed U.S. acceptance of the Bretton...
...husky, smooth-talking president, Carl Strandlund, 47, a vice president of Vitreous, had convinced NHA that he could mass-produce thousands of prefabricated houses, made chiefly of enameled steel sheets. All Lustron needed for the job, said Strandlund, was a little help, such as the Dodge plant and a loan from the Reconstruction Finance Corp. of from $32 to $52 million. Lustron was willing to invest as much as $36,000 of its own money to get the RFC loan...
...prove helpful to the many newly arrived in the city. Cambridge's Fogg Museum is, itself, an unvalued jewel to many. The museum maintains a permanent collection of remarkable worth, particularly in Italian primitives, Eighteenth and Nineteenth Century French painting, oriental art, English watercolors, and prints. It has frequent loan exhibits, a distinguished example being the Maurice Wertheim collection of post-impressionists and modern French painting shown this summer. At present Fogg is displaying its own fine collection of old master drawings...
...British muscled in on Chicago last week. In the heart of Anglophobe Colonel Robert McCormick's bustling bailiwick they set up a loan exhibition of 62 of Britain's best paintings, by Hogarth, Constable, and Turner. The British Ambassador, Lord Inverchapel, was on hand at Chicago's Art Institute to open the show with a suitably democratic address. Said he: "[These] painters . . . are all of the humble English earth; very earthy, simple folk, men of the people...