Word: local
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Dates: during 1980-1989
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...newly mellowed conciliator. Notes Alan Baron, a longtime Democratic strategist: "Sasso can deal with people who really dislike Dukakis." Sasso became the Governor's chief secretary, taking time off in 1984 to manage Geraldine Ferraro's ill-starred vice-presidential campaign. In Boston he used his rapport with local officials and his ability to muster a consensus to push Dukakis' legislative agenda...
...either of the others. Like the Public, the L.A.T.C. tends to excuse artistic lapses on the grounds of good intentions: its present offering of a black South African tract, Bopha!, performed by the authors, is exuberant but crude. The other show now running, however -- the debut of Kingfish by local writer Marlane Meyer -- is an adroitly staged, intelligently acted and gut-thumping depiction of mankind at its most predatory...
...people in this world. But all of this was a world away from the simple reality of sitting in a $5 seat on a rainy day, in a half-deserted stadium, wrestling with a box of Curry Noodles (the box won in the opening round). Beside him, three local zanies were wearing doll masks on their heads and munching Smoked Soft Squid. In front of him, two sporting- goods salesmen from Ensenada, Mexico, were crying out Spanish exhortations to Tino Martinez, the U.S. baseball team's first baseman. On every side, four separate groups of cheerleaders...
...Englishman sporting his I SPEAK ENGLISH button (ah, that British irony!), the Jamaicans holding their heads high while across the world their island was being laid waste by Hurricane Gilbert. They continue at the Han River festival, where an American pulls off a major upset in an ineffable local version of bingo, in an area in which ruddy-faced stallkeepers wave customers toward pungent wild-boar barbecues, and the only signs in English say DRAFT BEER. And they reach their climax at the buffet breakfast in the Intercontinental Hotel, where they catch a glimpse of Florence Griffith Joyner spooning down...
...Stands notes with pleasure that Pia Zadora is singing I Am What I Am at the Hotel Lotte, and that the Korean Film Week begins with such local classics as Surrogate Woman and Potatoes. But his biggest moment comes just sitting in the stands of Songnam stadium, far from the cameras and the crowds, in the balmy autumn sunshine. Most of the spectators in this rural place are locals, men with newspapers on their heads, women under parasols, large cheering sections of large women in largely billowing blue-and-yellow hambok who are singing mournful folk songs and donning...