Word: lodger
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Dates: during 1980-1989
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...nervous Gitta Stammer, who had earlier come forward to support and supplement the Bossert account, told her story to TIME's Jacqueline Reditt. Her face pale and worried, her hands trembling, the slight, 65-year-old Hungarian-born woman described how she and her family had kept a longtime lodger's secret for 22 anxious years...
...there is a contagious sense of release, almost of giddiness, in Bowie's music, that is because he has laid his ghosts well. Lodger, released in 1979, was a purging and a burial. As he had on two previous albums, Bowie worked with the intense Art Rock Composer Brian Eno (Ambient 1: Music for Airports). Boys Keep Swinging mixed Bowie's band with instruments they did not normally play. Guitarist Carlos Alomar, for example, found himself playing drums. Bowie then took the chord changes from Boys Keep Swinging, played them at nearly half speed and came up with a romantic...
There was an intervening album between Lodger and Let's Dance, 1980's Scary Monsters (and Super Creeps), on which could be heard the figurative sound of Bowie picking up the pieces. They didn't quite fit yet, although the title track and Ashes to Ashes were two of his best songs. Let's Dance has all the consolidation and much of the restless peace that Bowie has been searching for. Says Japan's Nagisa Oshima, who directed Bowie in his upcoming film, Merry Christmas, Mr. Lawrence: "Let's Dance gives the impression that David really is free." This kind...
...continuity. It was a lifeline. "Brian Eno came to my rescue in a way," he says now. "He came along and said, 'Hey, I have a whole new way of listening to music.' Everything about him was brand new." Bowie says the three albums they made together (Low, "Heroes," Lodger) "hurt. Those songs came from a very aching source. My whole cleaning-up period came through that trilogy. And I think I was successful at dropping my personas completely." Perhaps; or, anyway, dropping them as much as a showman-savant like Bowie ever can. Some lines from Ashes to Ashes...
...book, Rothman's first, considers five Hitchcock films--"a peculiar group," Rothman says: "The Lodger," "Murder," "The Thirty-Nine Steps," "Shadow of a Doubt," and "Psycho...