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Word: loeb (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Loeb presents the first in a series of staged concert readings tonight, an adaptation of the Agamemnon tragedy written by William Alfred '31, professor of English. Daniel Seltzer, assistant professor of English and acting director of the Loeb, will direct the production. There will be no admission charge for the performance, in which David Stone '64, Paul Schmidt '65, and Frances Gitter '65 play the leading roles...

Author: NO WRITER ATTRIBUTED | Title: Alfred's Play at Loeb | 10/11/1963 | See Source »

...Loeb Experimental production, though, while not offering anything approaching incisive parody, provides enough comic moments to keep the audience from worrying too seriously about the script's literary pretensions...

Author: By Alan JAY Mason, | Title: 'No Apologies' Final Ex Production | 8/21/1963 | See Source »

Those who saw Miss Fay blush in The Mandrake last month will hardly recognize her now as she barks orders in her hat shop and causes Fadinard some considerable embarrassement. The Cast AN ITALIAN STRAW HAT, by Eugene Labiche. At the Loeb Drama Center through Aug. 24. Directed by Norris Houghton, with sets by Donald Soule and costumes by Lewis Smith. Virginie Jody Locker Felix Mark Bramhall Vezinet Tony Corbett Fadinard Paul Schmidt Anals Wendy Bensinger Emile John A. Williams Nonancourt Paul R. Barstow Helene Etain O'Malley Bobin Thomas Babe Clara Patricia Fay Tardiveau Timothy Mayer Achille de Rosalba...

Author: By Joseph M. Russin, | Title: 'Italian Straw Hat' at Loeb | 8/16/1963 | See Source »

...this requires a superb director, and that is exactly what the Loeb production lacks; in fact, there are moments when it seemed director Norris Houghton had failed to exert any influence. Each actor appeared to be on his own as far as motion and expression were concerned...

Author: By Joseph M. Russin, | Title: 'Italian Straw Hat' at Loeb | 8/16/1963 | See Source »

Lewis Smith's gaudy, magnificent costumes would have been perfect in dance scenes, but they were splendid even without such exhibition. Donald Soule's sets, which used an apron stage and the Loeb's revolving platform for set changes, were flashy and adequate though a bit lacking in imagination...

Author: By Joseph M. Russin, | Title: 'Italian Straw Hat' at Loeb | 8/16/1963 | See Source »

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