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Word: loeb (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Eighth Day of the Week is another in the long series of Loeb Experimental near-misses. This view of life in Poland just after World War II could have been as gripping throughout as it was in the few really effective spots, but poor direction and generally weak acting kept the script from fulfilling its promise...

Author: By Charles S. Whitman, | Title: Eighth Day of the Week | 4/15/1963 | See Source »

Some simple facts about The Cursed Daunsers' presentation at the Loeb are worth acclaim in themselves. The opera presents the original work of two undergraduates, the libretto of Thomas Babe and the music of Alfred Guzzetti. The production succeeds without employing more than a few minor personnel from outside Radcliffe and the College. And the drama's appearance at the Loeb is the first such Harvard production there and marks a significant return of opera to the University stage...

Author: By William A. Weber, | Title: The Cursed Daunsers | 4/12/1963 | See Source »

Cohan once told a dance class at the Loeb that his most treasured compliment came from his young niece who ran up to him after a performance and told him Uncle Bob, I understood every word you said." One loses complete comprehension after childhood, but the beauty of Cohan's dance is still powerful and awesome; at the same time it is delightful. I have never seen a dancer change levels (move, for example, from an upright to a sitting position) with such sudden grace; guessing how he will rise to his feet again becomes an interesting game...

Author: By Margaret VON Szeliski, | Title: The Dance Circle | 4/9/1963 | See Source »

Equally interesting musically was the trio of pianist Pete Loeb. Loeb, who operates on the frontiers of, jazz, sounds a little like Thelonius Monk but is really his own man. He attacks a tune from all sides, alternating carefully spaced dissonances with tantalizing, full-handed chords. His bassist, John Voigt, provided a beautiful, sustained solo on Misty...

Author: By Sidney Hart, | Title: Jazz at Quincy | 3/23/1963 | See Source »

Captain Jack (Andreas Teuber) is less convincing. He has all of the pay-cock's swagger, color, and noise--and just a bit too much of this last: do all Irishmen shout quite as much as the ones on the Loeb stage?--but he has so little of the necessary humor. He probably shouts simply to obscure his brogue which is obscure, but my goodness, man, that's no way to tell a joke. Kenneth Tigar shouts his jokes too, but that's because he realizes they are all basically the same joke (he is asked to call everything "Darlin...

Author: By Anthony Hiss, | Title: Juno and the Paycock | 3/22/1963 | See Source »

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