Word: loeb
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Dates: during 1960-1969
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...many HDC members, however, he gives the impression that, as one put it, "he's extremely dissatisfied with everything that's done at the Loeb." Says the same person, "Chapman is caught between being too professional for the amateur Loeb and being fed up with what the professional theatre has to offer...
...since Harvard has no drama department, the most important thing that Chapman can do is to guide the students as they put a show together. And there is some disagreement around the Loeb as to how successful he is. Certainly his is not the style of the ubiquitous Dan Seltzer, distributing encouragement at rehearsals, helping actors make up on opening night, stopping in the Yard or the halls of the Loeb for a quick chat and to give a pat on the back. Nor is he like the warm, rather paternal Hamlin. Both the associates seem to be around more...
Because of this, people at the Loeb, especially new people, tend to think of Chapman as cold and inaccessible. "From what I'd heard, I'd envisioned him as an ogre, or Michelangelo's God," recalls one Cliffie. "But when I met him, the first thing he did was to kiss my hand. He's dashing, witty, and very charming...
There are really two sides to the Chapman coin. Heads, he looks down his nose at the Loeb; tails, he's a slightly discriminating perfectionist. "People don't ask him to rehearsals because they are afraid he would sneer," says one HDC member. "If he can't do a show exactly right, he can't bear to do it," says another. "He's kind of a snob. He won't do a show that would be compromised from the beginning...
...they trust his judgement, they are often afraid to hear it handed down. When he dissects a Loeb effort, his charm can give way to an icy directness. Most leads and directors do end up wandering into his office for a post-mortem. Says one HDC executive, "If you ask him, he gives it to you straight -- right between the eyes. He judges everything from a professional standpoint. That's a good influence...