Word: loeb
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Dates: during 1960-1969
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...quiet way, Tom Babe has spent the term making a contribution to Harvard drama that will not soon be equalled. His production of Wedekind's Spring's Awakening was the most ambitious and most successful on the Loeb mainstage this spring. Soon after, he proved himself an inventive comedian in the HDC's production of The Importance of Being Earnest. A month later his article on the Loeb appeared in the Spring issue of the Harvard Review, and on the same subject, he ably represented the forces of sanity at the panel discussion on drama held at Leverett House. Last...
Babe's Pelican, then, is both an excellent and a significant production, significant in that it comes close to being a perfect realization of one of the ideal uses of the Experimental Theatre. Taking full advantage of the surplus building supplies in the Loeb shop and the furniture in the prop rooms, The Pelican proves that a low-budget Ex show can look as professional on its own terms as a show on the mainstage...
...play will run Sunday, Monday, and Tuesday, June 12-14, and one of the three nights will probably be a benefit performance for the HDC. The Club now maintains itself entirely on funds raised by Loeb benefits and by HDC performances outside the Loeb, since receipts from Loeb shows go to the University...
...first time in several years, a Loeb main stage performance had to be stopped before the final curtain Friday...
...crew headed by David Gilfillan, Malcolm Campbell '66 and Loeb technical director Donald Soule succeeded in lowering the wreckage of the set onto the stage without further damage. The set was rebuilt in a day and The Good Woman of Setzuan played to a full house Saturday night...