Word: loeb
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Dates: during 1970-1979
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Kerry Konrad's Loeb production of Marat/Sade uses the same technique. From the moment the house opens, the actors are on stage, ad-libbing their roles as mental patients. Marat/Sade is perhaps the ultimate play-within-a-play, with the inmates of an insane asylum outside Paris portraying the assassination of Jean-Paul Marat, a left-wing journalist-leader of the French Revolution, under the direction of fellow-inmate Marquis de Sade. The audience finds itself assuming two roles: on the one hand, we are the French intellectuals of 1808 who are watching the inmates, and on the other...
...stage a mock murder of one of the revolution's leaders in 'The persecution and assasination of Jean-Paul Marat as performed by the inmates of the Marquis de Sade' which (if you can make it past the title) you should go to see this weekend at the Loeb Mainstage. According to director Kerry Konrad '78, this play within a play, in which neither the passion of the revolution, of the marquis, or of the inmates seems to know any bounds, is particularly suited to the Mainstage. When Marat/Sade is performed this weekend with a cast of more than...
...Loeb Technical Assistant...
...Loeb Drama Society...
...Loeb Production The Omen Corner...