Word: loeb
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Dates: during 2000-2009
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...James Stockard, the curator of the Design School’s Loeb Fellowship, pointed out that some of Boston’s most desirable neighborhoods—Back Bay, Beacon Hill, and South Bay—are also the neighborhoods with the highest densities...
Anna Deavere Smith walked onto the Loeb Mainstage, sat down on a wooden bench, and stated, “We’re going to go hunting for grace.” “Let Me Down Easy,” which was conceived, written, and performed by Smith and will run at the American Repertory Theatre through Saturday, is indeed a hunt: we travel from her Maryland hometown to Harvard to Rwanda to New Orleans, searching for affirmation that humans really aren’t that bad and finding at the end that the stories that persist with...
...Callie (Rachel E. Flynn ’09), finally share that tender moment, it is far from being the pivotal point of this personal and poignant script. The show—which will have three more performances this Thursday through Saturday at 7:30 pm in the Loeb Experimental Theater—instead focuses on the apprehension and complications involved with any unexpected romance. “Stop Kiss” isn’t a story about “love at first sight.” The couple’s first meeting consists of Sara dropping...
...Spring Awakening,” on the music, which will take its lyrics from Sater’s successful Broadway musical. SPACE ODYSSEY 2008Improving the relationship between the Harvard student community and the A.R.T. also includes rectifying its currently contentious relationship with HRDC, with whom it shares the Loeb Drama Center. The Loeb was formerly an exclusive student space, but students’ time on the main stage was reduced to six weeks when the A.R.T. was founded in 1980. HRDC member Daniel Pecci ’09 sighed when asked to describe the nature of interactions between the A.R.T...
...Manny very favorably reviewed In the Street, a furtive documentary shot in Harlem by Agee, Janice Loeb and Helen Levitt: "Every Hollywood Hitchcock-type director should study this picture if he wants to see really stealthy, queer-looking, odd-acting, foreboding people." Six years later, considering the posthumous collection Agee on Film, Manny was less generous. The essay, "Nearer My Agee to Thee," alternates salutes and bitch-slaps so rapidly it seems simultaneously a military tribute and a Three Stooges routine. But that's par for a Farber piece. As Polito notes, he "sustains strings of divergent, perhaps irreconcilable adjectives...