Word: loebe
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...options open,” Kline says. She immediately became involved with the dramatic arts at Harvard. Her freshman year she performed with, and was a board member of, the Harvard-Radcliffe Gilbert and Sullivan Players, performed in the Dunster House Opera, and worked on light design in the Loeb Experimental Theater. From her start with musical theater, Kline moved to nearly every facet of dramatic arts possible. Her junior year she served as president of the Harvard-Radcliffe Dramatic Club, and tried to be involved with nearly all of their productions in some form or another. Allison has produced...
During his tenure with Harvard-Radcliffe Dramatic Club, the 22-year-old has served as director, producer, dramaturg, and stage manager. Shafrin has played central parts in many shows over the years, notably in an acclaimed role as Tobias in last spring’s Loeb Mainstage play, “Sweeney Todd...
...beside their art work during gallery receptions. Benjamin T. Clark ’09, however, has taken a more independent path through the Harvard arts scene as technical director of a large portion of the sets for Harvard-Radcliffe Dramatic Club productions. He has spent countless hours in the Loeb shop crafting scenes, working in the grid, and ensuring the safety of all involved in plays. “Me and Bruce [Springsteen] in the shop, that’s the last four years in a nutshell,” Clark says. Beyond the rewards of hours spent listening...
...time-shares at top lodging companies are taking hits: Starwood Hotels & Resorts Worldwide reported a 48% decline in revenues from its vacation-ownership business in the fourth quarter, with the average price per unit plunging 31%. Similarly, Marriott International posted a 32% revenue drop in time-share sales. David Loeb, a senior analyst at Robert W. Baird & Co., sees more pain ahead. He projects Starwood's vacation-ownership sales revenues to fall an additional 27% and Marriott's an additional...
...That line gets right at the heart of ‘The Space Between,’ a new play at the Loeb Mainstage, conceived and directed by Catherine “Calla” Videt ’08. This incredibly ambitious production is the first student-written play to appear on the Mainstage in 15 years. While Videt’s subject might be theoretical physics, what she’s really interested in are moments where the science is inadequate to explain its own implications; equations may have built the bomb, but they can?...