Word: loebs
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Dates: during 1960-1969
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...record, Pat Hawkins, who played Major Barbara on the Loeb mainstage last year, is beautiful and an extremely talented acress, by far the best in the show. Buddy Mear as the manager gives a restrained and frequently persuasive performance, though I've seen him funnier at dinner in Adams House. The Automobile Graveyard runs for an hour and five minutes, which isn't as long as it might have been in the hands of a less capable group of people...
James L. Shuman '68 has drafted six amendments to the HDC constitution, including one that would completely revise the system by which the executive committee is chosen. At present, the five-man committee which selects Loeb shows and directors choose its own members...
Come you bed-pressers and plate-lickers, sophists, and cynics, come to the Loeb and see Georges Feydeau's A Flea in Her Ear. Feydeau has the world's number. Laurence Senelick, the director and translator, has Feydeau's number. Anyone who makes it to the theatre will roar his ribs...
...room, he pays for a heightened freedom of movement with his inability to be at ease or in scale against alien objects or in alien environments. He's lost, often quite literally, insuch differing surroundings as a mortuary-like IAB shower room and the lush mechanical complexity of the Loeb shop...
...Hunter has faithfully recorded the conventions of the French/American tough guy: his slovenlieness, his resistance, his attempt to be sphynxlike. But in the character's most Bogartian moment, a curl of the lip at an actor who is strutting out a characterization in front of the mirror in the Loeb green room, Lerner fails to convince us that he isn't posturing a bit himself. He, too, is fascinated by mirrors, particularly the fold-out, floor-length mirror in the Loeb costume loft which he slowly swings around, hypnotized by the multiple possibilities of his own image...