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...intimate black vacuum of the Loeb Experimental Theater, an all-white catwalk begins at a delicate white backdrop, subtly slanting downward across the space to nearly cut the room diagonally. The audience sits along either side in small bleacher clusters, the noticeably comfortable space between their seats an appreciated—and probably intentional—detail. After all, it could not have been lost on director Matthew C. Stone ’11 that British playwright Martin Crimp’s “Attempts on Her Life” is not a play that makes anyone feel like...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Stone’s ‘Attempts’ An Awesome Success | 11/16/2009 | See Source »

Imagine a play. Any play. Now remove the following elements: plot, character, setting, context. What remains is “Attempts on Her Life,” the play by Martin Crimp that opens tonight and runs until November 21 in the Loeb Experimental Theater...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: ‘Attempts’ Tries Innovative Theater | 11/13/2009 | See Source »

...started passing around ideas during the summer over email. Basically we just wanted something really different... I don’t think that anyone has used the space in that way—diagonally, asymmetrical, and no seat risers, which is kind of atypical for [Loeb Ex] shows,” says co-set designer Snoweria Zhang ’12, who is also a Crimson photographer...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: ‘Attempts’ Tries Innovative Theater | 11/13/2009 | See Source »

...Momentum” as an eclectic, high-level dance production demonstrating the potential and direction of 21st century dance months ago, when it considered staging a follow-up to its 2006 showcase of 20th century dance, “American Grace.” Members immediately identified the Loeb Mainstage, home to the American Reperatory Theater and the largest theater space available on campus, as the Company’s ideal performance venue...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...game,” Walker continues, pointing out that the short residency of most guest choreographers often necessitates a grueling sequence of six-hour rehearsals on weekends that spill into four-hour sessions on weekdays. Two Sundays ago, Company members remained at the Loeb from 9 a.m. to 9 p.m., going home exhausted and sore after a marathon session of hanging lights and setting up the theatre...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

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