Word: loeillet
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Dates: during 1950-1959
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Eighteenth Century Recorder Music (The Recorder Consort; Classic Editions). Charming, lively chamber works by Alessandro Scarlatti, Jean-Baptiste Loeillet (1680-1730), Georg Philipp Telemann (1681-1767) and Bach, proving that the flutelike recorder, usually belittled as an amateur's instrument, can be as stimulating a voice as any woodwind...
...concert opened with a work by the late Baroque Belgian composer Jean-Baptiste Loeillet, the Trio in B Minor, No. 2, a pleasing four-movement composition of the sonata da chiesa type...
July 13: The Hamden Trio (Bruce Simonds, Robert Brink and Karl Ziese). Trios by Loeillet, Beethoven and Brahms...
Another feature of the concert was the performance of two Baroque flute sonatas with the accompaniment of a harpsichord, played nicely by Sy Hayden. Flautist Eric Herz overcame some nervousness at the beginning of a sonata by Loeillet and went on to play Bach's Sonata in G minor with assurance. The work is a typical Italian trio-sonata structure enriched by Bach's genius...
...Loeillet's Sonata in C major featured Alfred Mann's flawless playing of the recorder. But the biggest applause-getter of the evening was the Sonata for 'cello and harpsichord by Francoeur. The piece is full of piquant melodies, and despite the intricate finger work, Mayes handles his unwieldly instruments as if it were the size of a small banjo...