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Word: loesser (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Music, Lyrics and Book by Frank Loesser...

Author: /time Magazine | Title: Theater: Monopod | 10/22/1979 | See Source »

Without the American musical theater there might not be any American theater. Except for a very occasional O'Neill or Williams, the great writers of the U.S. stage have not been playwrights but composers and lyricists: Irving Berlin, Cole Porter, Jerome Kern, Richard Rodgers, George Gershwin, Frank Loesser, Leonard Bernstein, Stephen Sondheim, to name but a few. Beginning with the first modern musical, Kern and Oscar Hammerstein II's Show Boat (1927), these writers have created a durable and increasingly versatile native art form. Broadway musicals at their best fuse music, dance, drama and plain old show...

Author: /time Magazine | Title: Television: Celebrating Broadway's Best | 10/1/1979 | See Source »

Happily, it still does. The Kirkland House Drama Society's current production of Frank Loesser's How To Succeed in Business Without Really Trying, an early-'60s paean to the knucklehead glory of girl-watching and "getting ahead," recreates the innocence of that time with an enjoyable, if sometimes unfocused, energy. Moving through the standard '60s-musical formula of boy-meets-girl, boy-and-girl-fall-in-love, boy-and-girl-fall-out-of-love, and boy-beats-world-and-marries-girl -- all to the accompaniment of Loesser's slick score -- the Kirkland House cast manages to create...

Author: By Francis J. Connolly, | Title: A Moderate Success | 11/15/1978 | See Source »

...part of Bud Frump--the boss's maddeningly wimpish nephew--not only an impressive comic flair, but also the best singing voice in the cast. O'Brien's clear, powerful solos in "Coffee Break" and "Gotta Stop That Man," the two best-staged production numbers, do full justice to Loesser's music...

Author: By Francis J. Connolly, | Title: A Moderate Success | 11/15/1978 | See Source »

...groups sooner or later--and Guys and Dolls is, without question, one of them. Many of us have already been acquainted with the marvelously larger-than-life, Runyonesque characters in the form of Sky Masterson, Nathan Detroit, or the inimitable Nicely-Nicely Johnson. Thus, the success in presenting Frank Loesser's musical depends, for better or for worse, on the degree to which the performers can live up to a firmly established level of caricature. In this respect, the opening-night Leverett House audience was not disappointed...

Author: By Matthew Gabel, | Title: Nathan Detroit's Alive and Well | 11/10/1973 | See Source »

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