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...charge of real estate and construction at Harvard. There he had come to know and admire Hugh Stubbins, who designed the college's Loeb Drama Center and its Countway Library of Medicine. In line with the bank's desire for a "humane" building, Stubbins proposed to loft an aluminum-faced structure on huge columns 112-ft. tall, thus creating the space for the shopping area and atrium, a sunken entrance plaza with a waterfall tumbling down from street level, a renovated subway station and, of course, the new church. "Aesthetically," says Stubbins, 65, "the Citicorp Center brings back...

Author: /time Magazine | Title: Environment: Classy Newcomer on the Skyline | 12/19/1977 | See Source »

...scene showing Strang's brutal rampage through a stable--sparked by his failure to make love to young girl--that eventually leads him to Dysart's couch. After he has brusquely dismissed the girl out of frustration and shame, the unclothed Strang stands fully erect in the loft of the stable, hurling himself into the now familiar rite of horse adulation. Suffused with ambers and golds, the shot evokes a tinted Renaissance fresco, with the rapturous Strang projecting a seeming embodiment of innocence and worship. But then Strang shatters this almost transcendental effect, suddenly jumping down from the loft...

Author: By Joe Contreras, | Title: A Clash of Two Wills | 11/18/1977 | See Source »

...Taylor, Gregory Peck and Alejandro Orfila, secretary-general of the Organization of American States, who last October auctioned off three rare 24-in.-high falabella ponies on the dance floor. The newest In place is The Apple Tree. The interior resembles a cross between a carpenter's loft and a berserk florist's, with wooden-slat love seats hung by chains from the ceiling, planters full of chrysanthemums, floor-to-ceiling mirrors and South American fishing baskets. Says Co-Owner Rick Parker, 23: "We built it to attract females." It does; they favor dark-red Clara Bow lips...

Author: /time Magazine | Title: Living: Hotpots of the Urban Night | 6/27/1977 | See Source »

Sails move continuously through Ted Hood's sail loft, from cutting and sewing rooms upstairs to finishing and storage rooms below. Similar patterns repeatedly form on the large wooden floors as workers unfold and spread out the sails to measure, cut and apply serial numbers to them. Designed in part by computers, the sails are made from special cloth manufactured by the Hood company in Marblehead and Fall River. This tightly woven cloth maintains sails' shapes without the customary use of resin which can disintegrate under stress and weathering...

Author: NO WRITER ATTRIBUTED | Title: Marblehead's Hood | 5/25/1977 | See Source »

More than 100 people are employed in the sail loft in Marblehead. They work a four day week and meet every two weeks with management to learn what sails have been ordered, and how sales are going. Ted Hood, the company's head, is recognized as one of the world's greatest sailmakers and yachtsmen. On a freezing cold and rainy day last winter he was out with his crew testing a new jib for the Courageous, the 12-meter boat he will skipper in the America's Cup races this summer. The lower right photograph shows the result...

Author: NO WRITER ATTRIBUTED | Title: Marblehead's Hood | 5/25/1977 | See Source »

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