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...much more Mean Streets than Manhattan. "You couldn't get a cab to take you down there," she recalls of her Tribeca neighborhood. But she fell in with a community of artists and made money fixing up loft spaces with Philip Glass, who was driving a cab by day and performing at night. "I would sand the floors and put up these Sheetrock walls, and [he] would do the plumbing," she says. "And I'd tell Philip, 'You have to sign these pipes. You're going to be really famous.' He was like, 'Aw, shut...

Author: /time Magazine | Title: Kathryn Bigelow: The Front Runner | 2/18/2010 | See Source »

...with complex orchestrations of space and form and a tough luster that's unmistakably his. The folded and perforated metal skin of his project for Cooper Union stands out strongly in its neighborhood of mostly brick and masonry buildings, but it also speaks to the local heritage of loft industry - and of thinking outside the box. "As a design and engineering school, Cooper Union is a place that's about creative capital," says Mayne. "So we wanted something that had energy...

Author: /time Magazine | Title: The Many Faces of Thom Mayne's 41 Cooper Square | 12/21/2009 | See Source »

...past two years, the University renovated three floors of a building—now called the Broadway Loft Studios—for courses and extra-curricular groups to gather, but the space is not enough to keep up with the demand for dance space on campus...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: Ivies Collaborate to Explore Dancing Issues | 12/4/2009 | See Source »

...recordings. The result was what one would expect when condensing a room full of pummeling drums and gut-wrenching bass amplifiers down to anemic laptop speakers, tinny iPod headphones, or muddy home stereos: while it reminded a lucky few of that crazy show they saw in a dirty Providence loft, to the rest of us it sounded underpowered and underwhelming. Subsequent releases improved the recording quality, but still sought to capture the spontaneity of a live show, using very little production and emphasizing improvisation over formal composition...

Author: By Mark A. VanMiddlesworth, CRIMSON STAFF WRITER | Title: Lightning Bolt | 10/16/2009 | See Source »

...loft spirit, the kitchen unsurprisingly follows an open plan. An empty aquarium that used to house live animals provides a stage for Pinker to shows us a little bit of his humor. “We used to have frogs in this aquarium, but they croaked.” Oh Pinks...

Author: By CATHERINE J. ZIELINSKI, CRIMSON STAFF WRITER | Title: Harvard Cribs Presents: Steven A. Pinker | 10/15/2009 | See Source »

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