Word: logics
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Dates: during 1960-1969
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...first solo entrance is firm, clean and smoothly phrased. He reads carefully from the score, but otherwise nothing in his playing betrays the tension onstage. After the first movement, Ormandy leans over to whisper: "Bravo." Johansen ripples out silvery pianissimos in the slow movement, builds the finale with structural logic and power. At the finish, the audience-which has been told only thai Peter Serkin is "indisposed" and knows nothing of what has gone on-gives Johansen a warm ovation. Ormandy-who knows all too well what has gone on-gives him a hug and kiss. Backstage, Ormandy describes...
...Logic Defied...
...next minute defied logic Cook blew a one-on-one situation but Gustavson, after taking the rebound, got tied up and lost the ball. Dartmouth called time out. Trying to set a play, Cook fumbled a pass out of bounds. Dover was fouled coming up court but, for the second time in two minutes, he missed...
...storytelling. The abrupt insertion of musical numbers, for example, or the prison escape sequence may strike you as unbelievable or wretchedly excessive, but you know notwithstanding that a DIRECTOR is in control and is exercising his prerogatives. The cross-cutting (as in Hurry Sundown) makes no concessions to audience logic and proceeds solely on Preminger's sure and personal instincts. And at the end, when Preminger actually Stops the film and his voice on the soundtrack TELLS us that we WANT to see the credits--WOW!! Incredible potency...
...acceptable alternate source of junior officer leadership if ROTC is driven from the college campus.) The radicals' reasons for wanting to destroy ROTC are patently contrived because they are exactly the same reasons that existed without challenge for 50 years before Vietnam clouded our vision and robbed our logic...