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Word: logo (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...organization which purports to seek and promote justice shouldn't use the laws of a free society to restrict freedom of expression. But the U.N. apparently is willing to ignore democratic principles when the sanctity of its logo is at stake...

Author: By Michael D. Nolan, | Title: The U .N. v. Amerika | 2/12/1987 | See Source »

...Kris Kristofferson, who plays the show's handsome hero, will be featured in announcements touting the body. But should ABC fail to meet the U.N.'s demands, Sorenson said, the world organization may feel it necessary to seek legal redress for defamation, such as the unauthorized use of its logo...

Author: By Michael D. Nolan, | Title: The U .N. v. Amerika | 2/12/1987 | See Source »

...purpose and pure kitsch. True, the Commission on the Bicentennial of the U.S. Constitution, headed by former Chief Justice Warren Burger, has rejected some of the more outrageous proposals. As a result, there will be no bicentennial brownie or constitutional hot dog. The commission has nevertheless designed a circular logo -- enclosing an American flag, an eagle and a scroll with the words "We the People" -- to be emblazoned on golf shirts, caps, scarves and sweatshirts...

Author: /time Magazine | Title: Pursuit Of Tackiness | 2/9/1987 | See Source »

Life will get more serious, and soon. After last week's triumph, Lacroix received substantial offers of backing for his own house, and the temptation to have one's personal logo -- Saint Laurent's initials or Chanel's stark block letters -- is very strong. He will be moving before long into the ready- to-wear field. That means that Lacroix must design two additional collections a year and execute them with restrictions on fabric and detail in order to produce reasonably priced clothes. But the master of folly is not fazed. "I believe it can be done," he says. "Ready...

Author: /time Magazine | Title: Living: Welcome to The Fresh Follies | 2/9/1987 | See Source »

...hinted at vastly oversized Mayan temples; the contrast between glittering surface and deep wells and slots of shadow suggested exuberance and secrecy conjoined, the "metropolitan style" of Big Business. Instead of quoting Gothic or Renaissance detail as an indirect sign of quality, the whole tower changed into a business logo, architecture as advertisement -- the archexample being William Van Alen's Chrysler Building, 1928-31, with friezes of hubcaps and wheels, gargantuan winged chrome radiator ornaments and stainless-steel finial...

Author: /time Magazine | Title: Design: Back to the Lost Future | 12/22/1986 | See Source »

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