Word: lola
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Dates: during 1960-1969
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Orson Welles Cinema-Friday: James Dean in Rebel Withoat a Cause; and East of Eden, Saturday: Lola Montes; and Woman in the Dunes. 1001 Mass. Ave., between Central and Harvard Squares...
...blows its otherwise immaculate cool-as when a poolroom tough delivers one of those drunken "I'll-tell-you-what-democracy-is" speeches. Although Redford and Clark are both excellent in their roles, Katharine Ross offers a major challenge to credibility as Willie's Indian girl, called Lola in the film. She looks little like an Indian and is obviously too refined to act like...
...film a flavor unique in Ophuls. In general his heavily decorated background settings and firmly placed foreground objects delimit an empty mid-ground where his characters move. Despite his fluid camera motions this spatial plan often imposes upon his characters, notably in Letter from an Unknown Woman and Lola Montes. The introduction of La Ronde tells us that we are in a studio and, after showing us the artificiality of the lighting and sets, invites us to accept them for their beauty, for the pleasant romance of the drama and its trappings. The first episode continues this artificiality by omitting...
...audience's moral awareness of its experience by developing the implications of their styles. Our enjoyment of Madame de... shifts toward regret when we see that its sweeping camera motions are imprisoning its characters in dances through time. The vulgarity of our love of spectacle and self-revelation turns Lola Montes into a terrible humiliation of its heroine...
...Pierre Léaud and Juliet Berto sitting around a TV studio engaging in a lot of Mickey Mouse debate about linguistics and mouthing doses of Godard's peculiar politics (the FBI had Bobby Kennedy shot) and aesthetics (Léaud shows striking workers two truly revolutionary films: Lola Monies and The Great Dictator). It may all be dreary now, but in ten years Savoir will have a certain faint curiosity value-kind of like a 1936 Easy washer with wringer...