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Josef von Sternberg was a famous Hollywood auteur in 1930 and Dietrich a minor Berlin actress when he cast her as Lola, the crass chanteuse of The Blue Angel. Just like that, a star was born: an anti-Garbo who viewed life and love as a series of awful amusements. In their seven films together--of which a terrific trio (Morocco, Blonde Venus and The Devil Is a Woman) are included here--Sternberg swathed Dietrich's wry sexuality in silk, feathers, a gorilla suit and his camera's soft-focus devotion. As his films got more deliriously abstract...

Author: /time Magazine | Title: 5 Cinematic Couplings That Really Have Legs | 6/4/2006 | See Source »

...handful of new releases, including one by the makers of Goodbye Lenin! called The Red Cockatoo, explore the G.D.R. and its 100,000-strong secret-police force, the Stasi, not as the subject of comedy but of cruelty and farce. The Lives of Others, which swept the prestigious Lola German Film Awards this month in Berlin, is going strong at the German box office with its story of a successful stage actress whose life is destroyed by a lecherous Culture Minister and the Stasi. The director of The Lives of Others, Florian Henckel von Donnersmarck, 33, says...

Author: /time Magazine | Title: Nostalgia Isn't What It Used To Be | 5/21/2006 | See Source »

...Spanish village, as dozens of widows polish the tombstones of their late husbands. It is a collective act of devotion, of civic pride and maybe (from what we learn later in the film) of atonement. Among the mourner-scrubwomen are two sisters, Raimunda (Penélope Cruz) and Soledad (Lola Dueñas), tending the grave of their mother Irene (Carmen Maura), dead these four years. Visiting Irene's older, failing sister Aunt Paula (Chus Lampreave), they hear the daft woman's claim that she has been cared for by Irene's ghost. This is dismissed as sweet dementia, until...

Author: /time Magazine | Title: Pedro's Ghost Story | 5/20/2006 | See Source »

...Wouldn't you like to see, in one sitting, the new films from the directors of Fargo, Sideways, Scream, Y tu mama tambien, Bend It Like Beckham, Irma Vep, The Motorcycle Diaries, The Triplets of Belleville and Run, Lola, Run? (For those of you who don't frequent art houses, we speak of Joel and Ethan Coen, Alexander Payne, Wes Craven, Alfonso Cuaron, Gurinder Chadha, Olivier Assayas, Walter Salles, Sylvain Chomet and Tom Tykwer.) Wouldn't it to lovely to bathe briefly in the radiance of Fanny Ardant, Juliette Binoche, Steve Buscemi, Sergio Castellito, Willem Dafoe, Ben Gazzara, Maggie Gyllenhaal...

Author: /time Magazine | Title: Cannes's First Really Good Movie | 5/18/2006 | See Source »

Mostly, however, we are treated to a hammered-into-our-heads, play-by-play, of implicit connections—Lola equals the misfit shoes, or Charlie equals Lola because he also feels out of place, and so on. Every step of the plot is already marked firmly on the ground...

Author: By Margaret M. Rossman, CRIMSON STAFF WRITER | Title: Kinky Boots | 4/19/2006 | See Source »

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