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...Hollywoods are full of tall. tawny-blonde pinups who have fared better on film than Lola Jean Albright, and the jukeboxes rattle with records made by singers who sell more songs. But when Lola's latest release, Dreamsville, went out to the deejays last week, its fans were readymade. For Lola is Edie Hart, the slim, smoky-voiced saloon singer, the girl wrho keeps the fires warm for TV's Private Eye Peter Gunn, the blue-eyed sentimentalist who can whisper into the mike and convince a million televiewers that she is alone with each one of them...

Author: /time Magazine | Title: THE JUKEBOX: Men Look Twice | 9/14/1959 | See Source »

Quarters for Corn. Few girls get a break from the jukebox trade these days; the quarters clink in the slot for the grinding corn of Fabian or Frankie Avalon. or the molasses-slow maundering of Johnny Mathis. Lola, who must settle for less, deserves more. She has been learning her trade, scrabbling at the edges of show business, ever since she sang Listen to the Mocking Bird at her home-town Y.W.C.A. in Akron 25 years ago. She was a gawky ten-year-old then, defiant of her parents' dislike of anything that smacked of entertainment. Today...

Author: /time Magazine | Title: THE JUKEBOX: Men Look Twice | 9/14/1959 | See Source »

...Lola Lola, the hardhearted Lorelei whose siren song lures a respectable, middle-aging botany teacher (Curt Jurgens) into degradation, Swedish Actress Britt makes a stunning physical impression. She slithers among the cabaret chairs like an insolent incarnation of sin, and despite her tone-deafness, delivers the familiar Falling in Love Again and a new song, Lola Lola ("lives for love"), with throaty seductiveness. But she is never called upon to display even a modest range of emotion, never conveys anything of the sense of mystery and veiled secret that underlay Marlene's tough tart...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 7, 1959 | 9/7/1959 | See Source »

...professional skill of longtime German Box Office Idol Jurgens. Though he is almost too handsome for the role of the petty-tyrannical high school teacher (played in the original by Emil Jannings), Jurgens subtly conveys the unavowed jealousy that flares up within him whenever he catches his students ogling Lola Lola. And at the film's climax, when he is persuaded to play the clown in Lola Lola's revue before an audience of old school cronies. Jurgens penetrates rare emotional depths. Crowing like a crazed cock as one raw egg after another is broken over his bald...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 7, 1959 | 9/7/1959 | See Source »

Gunn (Craig Stevens) has all the normal qualifications: 1) a bachelor apartment that would do for "Baby" Pignatari; 2) a girl friend (Lola Albright) who sings in "Mother's" cabaret and waits languidly on his couch so she can boil a couple of eggs whenever he gets e; 3) a rampant palship with every list, pool shark, trigger man and le in town. But Producer-Director Blake Edwards, 36, who also writes about the Gunn scripts, believes that Pete a little extra going for him. Says ards: "We tailored him in high style, man is intelligent, dresses well...

Author: /time Magazine | Title: Show Business: Top Gunn | 12/29/1958 | See Source »

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