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...Failure of World Communism") and another for the New York Times Magazine ("The 'Threat' of the Radical Right"). For the monthly magazine Show, he writes snappy movie reviews. As to Summer and Smoke, starring Geraldine Page and Laurence Harvey, he loved her, hated him; as to Lolita, he loved it, loved her. He will soon have a new book, The Politics of Hope-which, contrary to rumors, is not about...

Author: /time Magazine | Title: Nation: The Moonlight Writer | 6/29/1962 | See Source »

...Arthur Kopit. An evening of surrealistic foolery on the topic of why Mom is a witch. Goofy, oomphy Barbara Harris is the Lolita of off Broadway...

Author: /time Magazine | Title: Time Listings: Cinema: Jun. 22, 1962 | 6/22/1962 | See Source »

Humbert (James Mason) plunks bullet after bullet into the drunk and glibly pro testing Clare Quilty (Peter Sellers), a TV playwright who stole Humbert's Lolita from him but did not keep her. In the book, the shooting of Quilty was eerily comic; in the film, despite the inspired foolery of Sellers, the scene is awkwardly and ominously facetious...

Author: /time Magazine | Title: Cinema: Humbert Humdrum & Lullita | 6/22/1962 | See Source »

Charlotte has a seven-year widow's itch for a mate. Humbert obliges, but only because he has a very special itch for her gum-chewing, Coke-swigging daughter Lolita (Sue Lyon). The shock effect of this is dimmed, since the film ducks the duty of specifying Lolita's age and gives the part to a girl of 14 who looks a round 17. Making her movie debut, Teen-Ager Lyon is simply overmatched by the demands of her part. She acts knowing rather than sexy, and she lacks what Nabokov himself has defined as the "demoniac" essence...

Author: /time Magazine | Title: Cinema: Humbert Humdrum & Lullita | 6/22/1962 | See Source »

...been caught cheating at cards in his club. He shows none of the Old World graces and cultural refinement that made the book's Humbert seem more of a sexual gourmet than a sexual monster. In the book, it was Humbert who appeared romantically naive when Lolita quite casually and ironically seduced him. As Nabokov created her, Lolita was as completely a symbol of innate depravity as Melville's Billy Budd was a symbol of innate innocence. But in the movie, she seems to fall into Humbert's voracious clutches to avoid going to an orphanage after...

Author: /time Magazine | Title: Cinema: Humbert Humdrum & Lullita | 6/22/1962 | See Source »

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