Word: lombard
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...into Bergdorf Goodman and proceeds to slug him repeatedly with her purse. All hell breaks loose in the department store, and it seems that Director Sidney Lumet will transport his audience back to the glory days of Hollywood's glossy romantic comedies. Maybe MacGraw and King are no Lombard and Gable-or Day and Hudson-but at least they seem intent on having a good time. Just Tell Me What You Want looks as if it were home free...
Neither Byzantine nor Lombard: The Evolution of Southern Italy in the 9th and 10th Centuries--Barbara M. Kreutz, assistant vice chancellor, University of Wisconsin; Agassiz House...
...foundation of the established moral order; the man-woman unit is outdated according to Serreau. Fernand meets and falls in love with a delicate blonde, Sylvie. Their impossibly romantic meeting is right out of 1930 s screwball comedy. Everything seems perfect--she's beautiful, rich and looks like Carole Lombard; he's handsome, poor and resembles Clark Gable. After an idyllic ten days together, they return to the suburban house where Alexa and Louis have been anxiously waiting. Suddenly, things change. The steady current of attraction no longer flows in a closed circle around Fernand and Sylvie but rather short...
...movie is set on a Lombard farm stead at the end of the last century, and it consists of anecdotes about four families who serve the same omniscient landlord. There are, quite intentionally, no theatrics. A couple gradually fall in love and get married. An old man raises a tomato crop. A father illicitly cuts down one of the landlord's trees to make wooden clogs for his son to wear to school. Meanwhile, the seasons change, the sun rises and sets- all in the ripest of MGM colors...
...Jane Wagner, the film's scenarist and director, has long been one of Tomlin's most able comedy writers. At some point, perhaps, she conceived Moment by Moment as an extended stand-up routine or as a screwball romance along the lines of the old Carole Lombard-William Powell comedy, My Man Godfrey (which is quoted in the film). But the movie's subject, a liaison between a bored Beverly Hills matron and a younger man, is too provocative to be entirely laughed away. Wagner deals with this dilemma by switching her tone from scene to scene...