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Word: lombard (lookup in dictionary) (lookup stats)
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...brother Alberto (Helmut Berger). Among their guests are Giorgio (Lino Capolicchio), a childhood friend, and Malnate (Fabio Testi), a gentile visitor from Milan. Wrinkling her nose at Malnate's Fascist predilection for the workers of Ferrara, Micol returns his appraising once-over with "you're too much the industrious Lombard--besides, you're too hairy." Next to Malnate's animality, De Sica's aristocratic Jews are the ultimate wish-fulfillments to any Hitlerian dream of the perfect Aryan. Tall and fair-haired, they appear the descendents of some Nordic race, rather than the inheritors of a religion born...

Author: By Celia B. Betsky, | Title: The Garden of the Finzi-Continis | 2/16/1972 | See Source »

...going to find it's a different game." Devine, who says that he was hit but unhurt "30 to 50 times" while patrolling the sidelines at the University of Missouri, might well agree. Nonetheless he insists that "football is football, whatever the level." Like former Packer Coach Vince Lombard!, he believes that "what wins games are the simple fundamentals...

Author: /time Magazine | Title: Sport: Big Names in the Biggest Game | 10/4/1971 | See Source »

...great movie genres (especially before World War II) are female genres, and are dominated in very real ways by their female stars. The classic examples are Lillian Gish and Mac Marsh, who provided the polarities from which Griffith fashioned some of his greatest films. The "screwball" Depression comedies (with Lombard, Colbert, Arthur and the rest), the great foreign sirens (Grabo, Dietrich, and Lamarr), the singing blondes from Fox (Faye, Grable, and Monroe), Bette Davis and Katherine Hepburn, are genres unto themselves-this is at least half of the Hollywood product, and a half that could never have existed without women...

Author: By Richard Steadman, | Title: Women in Film | 3/19/1971 | See Source »

...must have been a magic mirror. After 15 years, Sally Kellerman is one of the screen's loveliest and most delightful comediennes, a fortuitous cross between Kay Kendall and Carole Lombard. Last week her work as Major "Hot Lips" Houlihan in the heretical M*A*S*H won her a nomination for an Academy Award...

Author: /time Magazine | Title: Show Business: The Barge Is Sailing Along | 3/8/1971 | See Source »

...Carnegie Hall. The Evy before us might be a suburban housewife in a severe funk. Stapleton's hysteria is totally convincing, though she speaks in a peculiarly strident and monotonous voice. The unfailingly attractive Betsy von Furstenberg seems to be reciting her lines rather than delivering them. Lombard is most felicitously cast as the homosexual actor and is uncannily reminiscent of James Coco in Last of the Red Hot Lovers...

Author: /time Magazine | Title: Theater: Comic Tearjerker | 12/28/1970 | See Source »

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