Word: lombard
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Perspiring gently, the audience sat still, in some nervousness. In the front row, not grinning, was big, jug-eared Cinemactor Clark Gable, in a chalk-stripe grey suit; his wife, Carole Lombard, in a funnel-like black hat with a veil, a simple black afternoon dress; Secretary of State Cordell Hull, white-faced, as sombre as his dark suit; and the President's mother, Sara Roosevelt, in a grey-blue evening gown...
...Birdwell left his job as head of Selznick International's publicity department to set up shop for himself. Three pretty secretaries guard his locked inner office, where he works long & hard creating gags for Selznick (whose account he still handles) and a number of individual actors like Carole Lombard, who are willing to pay as much as $25,000 a year to keep their names conspicuous...
...They Knew What They Wanted" is one of the most gripping films Hollywood has made recently. It handles old themes--love, jealousy, lust--in a straightforward, unaffected fashion that carries great conviction. Charles Laughton, as an Italian fruit-grower, and Carole Lombard, as a hash-house waitress, squeeze every bit of pathos and humor from their roles. William Gargan is a truly tragic figure as the villain of the piece, who ruins his own chances for happiness at the same time that he comes near to destroying the lives of those he loves most. Unlike the average Hollywood product, this...
They Knew What They Wanted (RKO Radio). When Tony Patucci (Charles Laughton), a porky, affable Italian winegrower in California's Napa Valley, tries to patch up a quarrel between his ranch foreman (William Gargan) and his mail-order bride (Carole Lombard), he argues that "Peoples no should fight," then speaks a little preachment on friendliness. During the filming of this scene one hot day last July, sprightly, spindly, 27-year-old Director Garson Kanin objected to Laughton's delivery as too much Laughton, not enough Tony. A director-actor fight followed which had Hollywood gossips' pens wagging...
...They Wanted, the cinema's third version of the late Sidney Howard's 1925 Pulitzer Prizewinning play, is principally a distinguished directorial exercise with three notable characterizations. A mustache, black curly hair, a soup-thick Italian accent hide the last vestiges of Captain Bligh in Laughton; Carole Lombard works the smell of tomato catsup into her hash-house waitress; William Gargan as the romantic ranch hand is a cad with gusto. Serious students of cinema technique will find many a valuable lesson watching these able craftsmen flex their artistic muscles as they act out the well-told tale...